Bourbon Cowboy

The adventures of an urbane bar-hopping transplant to New York.

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Name: Cowboy Dave Dickerson
Location: New York, New York, United States

I'm a storyteller in the New York area who is a regular on NPR's "This American Life" and at shows around the city. Moved to New York in 2006 and am working on selling a memoir of my years as a greeting card writer, and (as a personal, noncommercial obsession) a nonfiction book called "How to Love God Without Being a Jerk." My agent is Adam Chromy at Artists and Artisans. If you came here after hearing about my book on "This American Life" and Googling my name, the "How to Love God" book itself isn't in print yet, and may not even see print in its current form (I'm focusing on humorous memoir), but here's a sample I've posted in case you're curious anyway: Sample How To Love God Introduction, Pt. 1 of 3. Or just look through the archives for September 18, 2007.) The book you should be expecting is the greeting card book, about which more information is pending. Keep checking back!

Wednesday, May 31, 2006

Payday!

I got paid today, finally---my first real paycheck in three months! I'd done a little estimating and figured that, after taxes and withholding and whatnot, my paycheck would be about $900. It turns out I was wrong---it's $899 and change. ("Fuck you, Uncle Sam!" I felt like roaring. "You owe me at least three coins!") The money comes just in time for me to pay rent, which will leave me (heavy sigh) $150 to live on for the next fifteen days. Next payday will be cooler. As it is, the money came just in time. I deposited it, and it'll be available tomorrow. Which is great because I'm out of money and almost out of food. In fact, I'm actually completely out of diet soda (which I'm been drinking until I can afford a water filter), and so tonight I'm drinking straight whiskey---a nice joining of desperation and celebration.

In additional celebration, tonight Turner Classic Movies is showing "Whatever Happened to Baby Jane?" as part of their monthlong Bette Davis festival. (I'm guessing this is the last movie.) About three years ago, when I first fell in love with New York, I saw it in on the big screen in a revival theater in Chelsea with my friend Ryan and a horde of highly appreciative, camp-loving gay men. What a perfect only-in-New-York experience that was! And now what a great night this is! I've come full circle, and I'm totally relaxed. Of course, that may be the Jim Beam Black talking.

By the way, I've decided to start taking the bus to work. It takes longer, but I can sit down the entire time, and I plan to start writing a book of some sort. More on this later.

LATER:

Turns out there are three more Bette Davis movies to come. They're not just bringing their Star of the Moth celebration down to the wire; they're slopping over into the next month. I'm not techinically OCD, but I may have to shut off the TV at midnight just to have traditional closure.

Last Comic Standing: The Aftermath

Again, I'm sorry if any of you wasted your lives.

But I must add this. Although I told people "I'm sorry you wasted your life watching the show," I actually liked most of the performers. Not because the comedy was so great (although the skinny Willy Wonka guy really was funny, and so were a few others), but because I just like comedians and the process of comedy. I was like, "Dude, these guys suck, but they're totally my people." Everything about them---the flop sweat, the anxiety, the badly concealed neediness---reminded me of what it was like hanging out with them all.

But almost everyone had a bad act, and I kept tweaking it. Like the one blond woman who famously almost didn't make it. (She's clearly trying to do Sarah Silverman, and she has the same tendency to assume that off-putting = funny.) She had that awful joke about running across her dad's porn collection as a child and discovering...ready for the punch line?...he's a child molester! Ha ha! And I kept thinking, That would have been a little funnier if she'd said, "And ever since then I've loved pictures of shiny, beaufitul young men. It takes me back." Or even something like, "But of course back then I was so naive I didn't even know what the horse was for."

By the way, I had what may be a typical comedian moment the other day when I saw that Netscape News had an article with the clickable headline, "The Worst Thing You Can Do at Work!" Interesting! I thought, and made a sort of mental note about what that worst thing might be. In the anti-climactic tradition of every damn article Netscape has ever linked to (why do I always try to kick the football?), the answer turns out to be: "Use curse words," according to some study by a research firm composed, apparently, of teenaged Mormon virgins. And I thought, "Why did I even think that the questionnaire would have a box for Masturbate In The Coffeepot?" I need to shower now.

Monday, May 29, 2006

I'm On Last Comic Standing Tuesday Night, Possibly!

As mentioned in this post long ago, I think it's likely that you'll see me on Last Comic Standing this Tuesday Night, May 30th, in their two-hour premiere. The nbc.com website says it's at 8, 7 central and mountain. Since I didn't actually get in to compete or perform, your chance of seeing me will be in a brief early-in-the-episode interview section, or, failing that, possibly in one of the standard sweep-around-the-line-of-hopefuls shots such shows invariably include. I'll be the guy in the cowboy hat and boots. In either case, that's good news, because then you won't have to watch the entire thing, which---if my take on the host is anything to go by---is apt to be truly painful.

I realize that we're in a TiVo world, but if anyone can "tape" it for me---or in some other way render it watchable by yours truly---I'd be deeply grateful. Thanks.

LATER

I've been watching the show for half an hour, and it looks like they're going from west to east across the entire damn country, which means any shot of me, however brief, is apt to be in the last half hour of the two-hour premiere. But since they haven't shown any interviews, I doubt I made the cut, and I feel bad for having asked everyone to watch. You're putting up with some real punishment.

EVEN LATER

Yep. They're in New York now and I clearly didn't make the cut. Not even in the initial sweep which (I just realized) must have happened when I wasnt' even there. And I have to say that, as bad as my own experience with the show was, the editors are clearly smarter than the host. The show was better without me.

LATER YET

The more I think about it, the more I think the shitty questions we were asked might have been some sort of last-minute sop thrown to the latecomers to prevent us from rioting. It's the only reasonable explanation I can think of. And I feel so terribly dirty.

Four More Office Poems

EMERGENCY CALL

“The elevator’s frozen, and I’m stuck between the floors!
Please send somebody over now to open up the doors.
I’ve got some calls I need to make,
There’s meetings that I have to take,
I need to sign a dozen forms
And check that they conform to norms,
And then I’ve got some hours ahead of work administration.
But now I’m stuck here all alone
Without computer, fax or phone,
Where none can page, and none can call,
I simply can’t be reached at all...
On second thought, please take your time. It’s like a paid vacation.”


EPITAPH

Here lies Mr. Thomas Draper
Buried under piles of paper.
He won’t need a concrete slab–
Just a little folder tab.


A MESSAGE FROM THE PHOTOCOPIER

I, the copier, am broken.
Fix-it guys have been awoken.
Till they come, you’re stuck—and so
Don’t wonder, “Is the toner low?
Did something snap? Did paper jam it?”
No one knows—and every “Dammit!”
Every “No! Not now! I’m dying!”
All your begging, all your crying,
All your poking, all your thumping,
Tearing-out of hair and jumping,
Every amateur deduction,
Every threat of self-destruction,
Will not fix me any faster.
Just admit it: I’m your master.


JOB DESCRIPTION

I come in at nine and sign papers,
Then I forward them on until ten.
I go to a midmorning conference,
Then I push a few papers again.
I lunch, then I have some more meetings,
And at fiveish my workday is through.
It’s a really good job and I’m happy.
I’m just not really sure what I do.

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Sunday, May 28, 2006

A Brief Note on the Brangelina Baby

She was born last night, and they're calling her Shiloh. I think that's nice. Although Angelina Jolie is a Buddhist, and Brad Pitt is an agnostic, evidently they've decided to compromise and raise their child a Mormon.

The Fallen Dead and their Exoskeletal Vengeance

I mentioned how hot it was in my last post. What I neglected to mention is that I was keeping my window wide open to cool things down. So at one point I looked up from my work, distracted by a buzzing sound coming from my desk lamp. My light had attracted a wasp, which was walking around less than two feet from where I was sitting. I’ve neer actually been stung by a wasp, and I doubt I’m allergic to their venom, but since I’ve been developing late allergies the way the Sci-Fi channel develops shitty movies (see below), I’m taking no chances. I had to kill it. Keeping a wary eye on it, I backed out of the room and started rummaging through the bathroom and kitchen.

But no one in the house had any insect spray. That’s ridiculous. In Tallahassee, everyone carries spray insecticide because the environment is so junglelike that engaging in random preemptive sprayings is the only way to prevent the mosquitos from flying away with your children. (Actually, the spiders are even worse, since they’re not only enormous but they emerge like grass from every nook you have, and that requires a second type of spray.) But here in New York I guess we keep forgetting there’s more wildlife here than just subway rats. So no spray.

I did find some spray Clorox Bathroom Cleaner, however, and I thought, “What the hell.” I figured Clorox = poison in any language. I came back to the room, saw that the wasp was sitll walking slowly along the back of the lamp, and I struck: squirtety squirty-squirt! The Clorox coated the wasp thickly, and I think it drowned almost instantly (tiny bodies, tiny lungs). And that was the end of that.

Or so I thought. I woke up this morning and realized that a.) I’d left the TV on, turned to the Sci-Fi Channel with the sound off, and b.) the Sci-Fi Channel was now showing Deadly Invasion: Killer Bee Nightmare, where a bunch of bees wreak terrible terrible vengeance on the family of Robert “Airplane!” Hays. How ironic! I thought. It’s like the spirit of the wasp is out to get me. Oh, well. I wonder what’s after that. I checked, and that’s when my jaw dropped. Here’s the list of today’s films:

Deadly Invasion: Killer Bee Nightmare (‘95). Killer bees invade home of California family.

Spiders (‘00). A reporter and her friends discover giant mutated spiders.

Skeeter (‘94). Toxic mosquitoes infest California town.

Deadly Swarm (‘03). In the jungle, a man must recover a shipment of deadly wasps lost in a plane crash.

Flying Virus (‘01). Passengers aboard a plane fight deadly bees. (With Gabrielle Anwar and Rutger Hauer. Nice to see them both still plugging away.)

Locusts: The Eighth Plague (‘05). Flesh-eating locusts escape from a research lab. (Starring Julie Benz, a woefully underrated actress mostly famous for her role as vampire queen Darla on Buffy and Angel. A voice so husky it could pull a sled.)

Mansquito (‘05). A scientist and her subject turn into mutant insects.

Mosquito (‘94). Big insects thirst for human blood.

Threshold (‘03). Alien DNA causes people to mutate into insects.

and, finally,

Bugs (‘03). SWAT commandos and an entomologist join forces to defeat a deadly swarm of prehistoric insects. (Starring Antonio Sabato, Jr. and Angie Everhart. I’m gonna take a gamble right now and predict that Angie plays the entomologist, who is probably the best in the world. Any takers?)

This is ridiculous. I mean, there’s vengeance and then there’s flying completely off the chain. (This is what I don’t like about wasps: no sense of ethical balance.) And if there were any proof that this is all designed to punish me, the one obvious choice they’re missing from this lineup is 1993's Ticks, starring Ami Dolenz. (You can also find it called Infested.) For a few years in there, Ami Dolenz was one of my favorite guilty pleasures: the daughter of Mickey Dolenz of the Monkees, and almost exactly my age, in the early nineties she was in a string of very bad films (Witchboard 2, Pumpkinhead II, White Wolves: A Cry in the Wild II...you see the pattern) and she was always the cutest thing in any of them. She couldn’t really act, but she was obviously having so much fun I just couldn’t resist her, and if I were in a litigious mood, Blockbuster would now owe me at least twenty dollars.

She’s still acting here and there (as late as 1999 she played “Sacrificed Virgin” in something called Shogun Cop), but Ticks is still her magnum opus, and it would have given me at least one happy moment in the middle of all this insect vengeance. But no! Dave must be punished! I can’t help but suspect that, among the programmers at the Sci Fi Channel, there may be at least one mansquito. If this turns out to be my last post, you know what happened.

Saturday, May 27, 2006

A Thirtysomething Man's Fancy

It’s spring, and all over Manhattan, skirts are in bloom. It’s amazing. I lived in Tallahassee Florida for six years—ground zero for tight-shirted, hooker-heeled, shiny undergraduate pulchritude—but I don’t think until this week I’ve ever found myself so enchanted just by watching women move. Up stairways, along sidewalks, rushing for the subway, and always these springtime skirts swing and bounce around legs that carry a beauty the women themselves seem scarcely aware of most of the time. It’s as though the entire city is dancing. I’m not a leg man, but I’m thinking of converting.

Since I grew up in Tucson, Arizona, I’ve always hated the concept of weather. What I like about the desert is its consistency. It was hot yesterday, it’s hot today, and tomorrow has a 100% chance of hotness. I developed habits you can only have in such a climate—such as reading while walking, and being content with a twenty-year-old car since the salt will never eat at it. But maybe it’s a reflection of the determined transformation I’m making in my life, I don’t know, but I gotta say: spring in Manhattan is the best argument for weather you could muster. It’s the exact opposite of Spring Break on South Beach, where I went one semester and found, to my surprise, that I eventually became actually tired of seeing topless women sunbathe. I was surrounded by fit tanned women in the prime of their attractiveness, almost entirely exposed and lying supine, and even though this was my first year of transition from the mincing puritanism of Hallmark and Kansas City, by early afternoon on South Beach all I could think of was returning to my hotel room and reading a book. It’s enough to make a person doubt evolution.

Not so in New York. Rather than glut yourself on a pleasure till it’s taken for granted, here in this city (and, I guess, all across the world at the same latitude), you appreciate the little things. After winter, the first feminine arm on the bus seems like a happy, vulnerable smile offered to the world. Mere ankles can seem coy and inviting. A good friend of mine who’s a nudist once told me that, when you’re at a nudist convention, nudity becomes so commonplace that it’s shocking to see someone wearing socks. It’s like that here. Who needs Girls Gone Wild? Yesterday on the subway a woman wore a white crinkled-cotton skirt festooned with purple flowers, and as she swung her leg up from the platform to the train, the skirt floated like a cobweb and revealed bright blue strappy sandals the color of a gumball. I’ve been picturing it ever since, filling it in with imaginary scoring by Montovani. It’s not even particularly erotic. (I know the difference; one train stop later a gorgeous, braless young Filipina had her shirt unbuttoned to her midriff and was fanning herself while sweat ran down her skin. Yikes! That was hard train to leave.) All I know is, spring seems to bring out the best femininity of women in a way that just makes my heart happy.

(Side note: I just thought of an additional pro-weather argument. To wit: you lead a richer, happier life if you notice the little things instead of operating on automatic and waking up twenty years later thinking, “Where did my life go?” And if you want to be constantly presented with something new, something changing, a weather-ridden city would seem to be your solution to eternal mental youthfulness. Of course, there’s an ironclad counter-argument: snow sucks ass.)

The only downside to the current weather is that it’s really damned hot. It’s embarrassing to admit my weakness here. I grew up—hell, I thrived—in a place where the average yearly temperature is north of 80 degrees, and then spent the last six years in Tallahassee, a city so swelteringly humid that if you wore glasses and walked in and out of doors a lot, you practically needed to carry a little squeegee along. I barely ever complained. But something about New York—the apartment itself? The recent rainfall? My disastrous feng shui?—something has rendered this apartment so stiflingly close that it’s all I can do to keep my shirt on and resist buying a few bags of ice to roll around on. I’d purchase a fan...but I don’t get paid until Wednesday. When payday finally comes, I think I may cry for joy. It’ll certainly be a relief. My bank account’s developing an ulcer.

But for now I don’t care. It’s a long weekend, and when the weather’s like this, the most joyous thing you can do is simply walk down the street. That’s what I think I’ll do tomorrow: get a book, walk up to the park near the Cloisters, stare out over the Hudson River, and think how lucky I am, and how beautiful the world has suddenly become.

Tolkien Help Requested ...

The good news is that I found all sixty of my favorite cartoons, back when I was writing them tiny and trying to syndicate in papers! I can now redraw them in larger New Yorker style in complete confidence that I'm not leaving any out.

The bad news is that I was hoping to give a copy of my essay "J.R.R. Tolkien's Literary Offenses" to my good-natured Tolkien-worshipping roomie, but I can' t seem to find it, either in paper form among my files or anywhere on my computer. I've looked for an hour and I'm frustrated. (That's how I found the cartoons, though, so it's not a total loss.)

I know I submitted an early version of the essay to everyone on my Dave Update List. If any of you on that list still has a copy, could you send it to me? I'd be awfully grateful. Thanks!

LATER:

Done. Thanks, Trip! Trip Payne, everybody. Look for him in Wordplay, the terrific crossword documentary that's making all the rounds. In the film, he's the only member of the crossword community who seems to have a happy domestic life. It gives hope to us all.

Friday, May 26, 2006

Four Office Poems

The first one I recreated by memory from my lost files. The others are new.

REGRET

I'm the V.P of sales.
I track desktop details---
My hands never ache or get blistery.
I drive an s-10;
I can work from my den
Should the weather get stormy or twister-y.
I have kids and a wife
And a wonderful life,
And yet one thing remains a big mystery:
I use none of the knowledge
I picked up in college ...
So why did I major in history?


MEMO

Since Casual Fridays are common,
Our office is taking the chance.
Just remember---it's "Casual Friday."
It's not "Come to Work Without Pants."


THE ELECTRIC PENCIL SHARPENER

The electric pencil sharpener's
A joy to have at hand.
And when I need a pencil sharp
(It's frequently unplanned),
I push it in the little hole,
I feel it shake, and then,
I pull it out, blow shavings off,
Then thrust it in again.
I do this till the pencil's smooth
And sharp as it can get ...
And then, somehow, I get the urge
To smoke a cigarette.


TYPE A

All hail and make way
For Mrs. Type A!
She works like the place is on fire--
She comes in at five
With a heart full of drive
And her bpm ninety or higher!

She handles all greetings,
She runs all the meetings,
She swallows her enemies wholly!
She lunches while walking
And cellular-talking.
She’s tense and intense and control-y!

I watch and feel lost.
I don’t mind her exhaust,
If that’s what she’s wanting to do.
But if she’s the display
Of what’s meant by Type A,
Then I must be down near Type Q.

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Scrabble Afternote

I forgot to mention that I really enjoyed it and plan to return. Plus, one of my favorite friends from the National Puzzlers League was there---name's Jeff, but I know him as Jeffurry---making it actually the first time in the entire time I've lived here that I've actually met a fellow Puzzlers League member in the city. Which isn't as weird as it sounds, because not only are many of us shy retiring people, but I've been holding off on whizzing around the city until I get my 30-day unlimited-rides MetroCard. Until that happens, every time I get on the subway I watch a $2 bill flutter unreclaimably to the heavens.

Ooh! Which reminds me of an easy-but-fun little analogy I came up with on the subway, which I hereby invite you to solve--

bit: $2 bill :: bit : ___ ?

LATER:

Rats. I checked, just to make sure, and it turns out the analogy is bit: dollar :: bit : ___. Which isn't nearly as interesting to me. It sounded so much more fun on the subway.

Time Flies When You're Emotionally Pingponging

Bad news: Turns out I don't get paid on Friday. I get paid on the 30th, which is next week. Which means that instead of having fun, I have to have a relatively cautious long Memorial Day weekend. ((Sighing noise.)) When will it end? (Answer: The 30th. Actually, probably the day after the 30th because my direct deposit probably hasn't kicked in and I'll have to deposit the payment and wait a day.)

Good news: In my first move toward having a regular social life (of sorts), I went tonight to the famous Honors Scrabble Club of New York, hosted by the famous "G.I." Joel Sherman (of Word Freak fame). It starts at 6:45 a mere twenty blocks from my work, and it was an easy lope.

Bad news: It's been two years since I've played Scrabble, and I got my ass handed to me two times out of three. (Both beat me by over 100 points, although I bet the third guy by 80.) Also, they generally play four games. By three games it was 10:00 and I knew I had to leave if I was going to get back uptown in time enough to go to sleep and get to work tomorrow. But at 10:00 the trains start running slower and---long story short---I didn't get home until midnight. Good thing I left when I did.

Good news: I'd heard about this, but tonight confirmed it. Since the last time I played, there's been a new dictionary released, and so the Official Scrabble Word List has expanded to reflect it...and we now have a two-letter Q word (QI; the chinese term for energy, and also spelled KI by the way) and a two-letter Z word (ZA; short for pizza). QI and ZA! Just think of it! It's really altered the gameplay. You can be a little bolder and not worry about, say, getting Q-stuck at game's end. (With nine Is, there's usually something you can hook it on.) Also, it's a helluva lot easier to simply drop either letter on a triple letter score and get tons of points. All we need now is a two-letter C word and a two-letter V word and the grids at the end will flow together a lot more prettily.

More good news: I've been thinking about it on the various trains, and I now have 77 ideas for office poems scrawled on my little notepad. And I've even written several of them. I'm looking forward to sharing them.

Bad news: It's really late and I have to get to bed. Maybe later. After all, I have a long weekend ahead and I'll probably spend much of it close to home.

Thursday, May 25, 2006

Satire Has Caught The Golden Snitch, As It Were!

Check this out. Tom DeLay's legal defense people, angry about an unflattering documentary coming out about DeLay, approvingly link to a scathing interview with the filmmaker conducted by Stephen Colbert. Nothing could possibly please a satirist more than to be taken seriously by the very people you're satirizing. The Colbert Report staff must be calling each other and uncorking some milestone-commemorating inebriants.

By the way, the reference to the Golden Snitch is, of course, a Harry Potter shout-out. I thought of it because my initial temptation for a title was something like "Satire 1, Tom Delay 0", but I realized this is such a great win for satire that it deserved more points. And as you probably know (since Rowling repeats the rules every time in every one of her books), in Quidditch, a regular score---ball through the goal---is one point. Catching the Golden Snitch is worth 100.

But this also raises a point that should have been mentioned long ago: Quidditch is the stupidest fucking game in the world. Forget the fact that it's played on broomsticks, and ignore the obvious risks of death from falling (if it were a real sport, wouldn't there be a net?), and look at that idiotic scoring system. By rights, any decent captain would see these odds and say, "You know what, to hell with regular scoring. Let's put every member of our team to work on catching the Golden Snitch!" Because who cares how far you get ahead---with a hundred points, the Snitch seals the deal so much that you don't need to do anything else.

"But wait!" some of you Harry-lovers are no doubt thinking, "The golden snitch is extremely difficult to catch, and so going after the Snitch would be like gambling on something extremely improbable!" But how improbable is it to catch the thing, really? To make the odds work out, it should be 100 times harder to catch the Snitch than to score a regular goal. But catching the Snitch is apparently common enough that every team has a snitch-chaser. (I believe it's 20% of their entire force, but it's been a while since I went to my closet shrine and checked the scrapbook clippings.) And I need hardly mention that Harry's caught the snitch every damn time he's played the game. So the strategy should be: take out the pther player's snitch-catcher---break his hands, smash his broom, whatever you have to do---and then send all your guys after the damn snitch. It's not rocket science, people.

(By the way, the same problem usually obtains with Yahtzee, to the point where I've started to call Yahtzee "Waiting for Yahtzee" or "First-Player-To-Get-Yahtzee-Wins." If one person gets Yahtzee and the other doesn't there's rarely any need to count the score.)

Of course, maybe Rowling knows this and is saving the big revelation for her final book. ("You mean," cried Hermione, "that we've all been blooming idiots? Strategically, I mean?" "Yes, you have," said journeyman mathematician Professor Beezlebrisket, the new Defense Against the Dark Arts Teacher Who Will Be Played by Jude Law...)

Before You Rub Your Eyes and Go "Whaaa?..."

I decided to change the site a tad. Bad idea. Now on the sidebar I have some new stuff, including a list of sites I frequent---in two sections, "Pardners" and "Politics 'n' Religion"---and a site-tracker that's supposed to keep track of how many people have visited since the tracker was put in.

Just so you know: Both "Pardner" and "Politics 'n' Religion" are supposed to be in the site's official font (the same one as "Archives" above it) and "Politics 'n' Religion" is supposed to be a heading, not a link. (Don't click on it, 'cause it don't link to nothin'.) And there's really supposed to me more space between all three new elements, not squushed-up sardinity. So I may have opened a Pandora's box of worms and monkeys, because it looks like I'll have to actually learn html to tweak it. In the meantime, big thanks to Jason for getting me this far.

Wednesday, May 24, 2006

Three More Office Poems That Just Popped Into My Head

There's something to be said for carrying a book of poems around for almost ten years. They sort of stay with you. Here are a few more---the first of which has a musty Clinton-era bouquet.


E-COMMERCE

The e-economy is up and rollin'
And everything can use some cyberdrama.
So as of now, the erstwhile semicolon
Shall be hereafter known as the "dot-comma."


TELECOMMUTING

I pity the telecommuter
In front of her little computer
With no one to curry or tutor,
Cut off in her dull, quiet room.

Oh sure, she can work in pajamas,
But she misses the everyday dramas:
The gossip, the triumphs and traumas,
And which person's sleeping with whom.


IS IT FUN YET?

The three surefire signs of an office party:
Folks fret if they're tardy,
The laughter's suspiciously hearty,
And nobody drinks the Bacardi.

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Office Poem: A Modest Proposal---or, Has Anybody Seen My Songs?

Help! Songs From the Cubicle is missing! For the new folks here, that's a collection of office-related light verse that I started back when I worked at Hallmark. It never got much past twenty or so poems, but it held promise. I was trying to give it to a wonderful person who'd expressed a kind interest, and I found that the file is entirely empty. Ack!

I seem to recall sending out a slew of them a few years back, so if any of you has any of them, could you please forward them to me? I'd much appreciate it.

In the meantime, I'm trying feverishly to reconstruct them, and here's the one I best remember, because it was the poem that inspired the whole enterprise:



A MODEST PROPOSAL

Oh, there ought to be a naptime every day from twelve to two
Where nobody schedules meetings and the calls are not put through
Where everyone rolls out their mat and curls up on the floor,
And we could catch a dozen winks—or maybe even more.

They could lower all the windowshades and dim the lights a lick
And there’s be no noise at all except the clock’s assuring tick;
Then I’d get my box of apple juice and curl up with my teddy
And I wouldn’t have to work again till I was good and ready.

There’s no downside I can think of to this downtime after lunch:
It would make our office womblike; it would boost morale a bunch;
The gain in productivity would offset any loss;
We all know people need it—so can we please try it, boss?

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Tuesday, May 23, 2006

What The Hell: A Final Book Excerpt

I just ran across this final section from my trip---really the last portion I wrote---and realized that, although this is personal, many of you who read this blog are my friends and might find this struggle interesting. So here's the only part of the book that no one except my committee has seen until now.

But first, let me set up the clip: the problem was that as I was driving across New Mexico, there was nothing to see and nothing to write about and it was maddening. And I finally hit on a perfect solution: First, it allowed me to fill space by making stuff up, but I got away with it (I think) by being really obvious about it. Second, since I was traveling across the country, popping in and out of churches and having various adventures, New Mexico wasn't a bad place to add a sort of philosophical climax. This section gave me that. And third, since the book is half about religion anyway, this allowed me to cover one big form of religion---paganism---that I have no actual real-life patience with.

So that's what this is. From the New Mexico chapter, I bring you a hitchhiker.

************************************

In the middle of all this desert, and with the drone of the Elfstones fantasy world providing a backdrop, it was particularly amusing to read a road sign that said, “Welcome to New Mexico, Land of Enchantment!” I’ve been through New Mexico a few times, and the northern part certainly has its pleasures—the north is where all the mesas are, as well as the big cities like Santa Fe. But if there’s a less enchanting part of any state than lower New Mexico along I-10, I’m damned if I can imagine it. In fact, the slogan, “Land of Enchantment” is so overstating the case that I can only assume that the sloganeers of old knew perfectly well how wretched New Mexico can be and set out to spin it. “Land of Enchantment” sounds a lot better than “Sun-Blasted and Empty!” or “Catch Scrub Fever!” But what’s really guilty-sounding about “Land of Enchantment” is the way it doesn’t actually refer to anything in the state itself. This isn’t the “Grand Canyon State” or the “Beehive State” or the “Garden State,” where you might find canyons, beehives, and gardens. “Land of Enchantment” practically comes right out and says, “Why look at the state? You’ll enjoy this a whole lot better if you use your imagination.”

And I don’t know what it was—the heat, the tedium, the dizzying repetition of ocotillo after ocotillo after ocotillo—but I started trying to use my imagination, to see if there really was any enchantment in this land. I tried to pretend that the sun was a big happy fat man in the sky who just happened to be on fire. I tried to picture the cactuses waving and talking to me. (“Kill us!” they said, in cute little chipmunk voices. “Make the pain stop!”) I tried to see the desert as a miracle because, after all, with the whole pallette of nature’s colors at its disposal, isn’t it kind of amazing that so much of New Mexico wound up beige? I tried to pretend that the interstate, which stretched carless as far as I could see, was merely a big sleepy snake whose staggering length I was trying to measure because if I did, some scientist somewhere would give me money and I could afford to make rent. And of course my thoughts dipped into deeper matters every so often, because it’s impossible to drive alone through so much desert without thinking about your own mortality. On my whole journey, I never found myself with so much time to just think.

It was in this state of mind that I noticed a hitchhiker up ahead—a little dark silhouette wiggling like a mirage. As I came closer I noticed it was a coyote. Except he was standing on his hind legs with his thumb out. He had a thumb. I slowed down to the shoulder.

“Where are you going?” I asked.

“As far as you like,” said the coyote, and hopped in. “Where are you going?”

“Actually, I’m on a kind of quest,” I said. I explained my journey and my book.

“That’s great,” said the coyote, without real enthusiasm. “But can I ask you something?”

“Shoot.”

He fixed me with a look. “Why are you pretending to be interested in religion when you know you’re never going to find one that fits?”

Turns out, this coyote was actually the coyote, as in capital-C Coyote, the Native American god and trickster figure.

“That’s presumptuous of you,” I said.

“But it’s a good question. After all, what’s the point of a quest if you know ahead of time you can’t succeed at it? And can you really call it a quest?”

“Why do you care?” I asked.

“I don’t, really,” he replied. “But it’s in my nature to meddle. And if you don’t mind my saying so, we’re similar in many ways.”

“How so?”

He sighed. “Please. You were the religious studies major. You’ve read about us—American tricksters like me and Raven and Aunt Nancy the Spider god. We travel constantly. We have no money or power or fame. We live by our wits, and at the expense of others. And our greatest joy in life is to deliver a good joke.”

He had a point. “I’d hesitate to compare myself to a god,” I said.

“Oh, spare me the modesty,” said Coyote. “You think you’re brilliant and everyone knows it. Besides, it’s not as if I’m a particularly good god, or a powerful one. I just got all the best stories.”

“I don’t understand,” I said. “Are you suggesting I look into paganism? Or that I worship you? Or that I emulate you?”

Coyote snapped his mouth with shut an impatient clack. “I’m suggesting you stop thinking about a solution. Look at you. You’re a spiritual person who doesn’t believe in the supernatural. You’re obsessed with the effects of religion while trying to avoid it affecting you at all. The people you like the most are the universalists—St. Francis, Rumi, The Dalai Lama—and yet you don’t even want to commit enough to any single tradition to be able to join them. And then you turn around and diss the officially-uncommitted Unitarians for being either too intellectual or too flaky.”

I thought about that. “Ouch.”

“This isn’t a bad thing. But you have to stop seeing it as a problem that you have to solve. Look at me. I’m part of a pantheon of gods, but the gods never liked me, and I never liked them. I hide, I lurk, I grab what I can. That’s what tricksters do. We’re perennial outsiders.”

“You’re saying I should just embrace my perversity?”

Coyote threw up his hands. “You may as well. Because it’s not as if religions are failing you on purpose. If you could invent some new religion that did everything right, you’d still find a way to distance yourself from it. Most people believe in God not because they’ve thought about it, but because it fits what they feel comfortable feeling. You’re just the same way, only in reverse: you feel comfortable not belonging, not being beholden to any system. Your objections to each specific religion are just rationalizations after the fact.”

I mulled that for a few moments. “So I’m doomed to belong nowhere. That doesn’t sound too appealing.”

Coyote sighed. “I think you’ll find yourself belonging once you stop trying to belong anyplace specific. But you’ll never be home in any one place. You’re too sensitive to absurdity to let it go.”

“So . . . I should just get used to feeling unsettled?”

“Put it another way: you’re unsettleable. It’s not like there’s some huge distance between what you want and what you are. You’re already where you want to be: the eternal outsider, the jester, the gadfly. You’re a smart guy. If there was a religion for you, you’d have found it a long time ago.”

That didn’t sound right. “So why do I feel like I’m on a quest?”

“I think you’re looking for the things that religion offers. A sense of certainty, a sense of meaning, a way of not being alone. But it’s ridiculous the way you go about it. The things that religion offers are exactly the things you don’t want, and yet you act surprised every time you rediscover this. You already know what makes you happy; you just wish you wanted something different.”

“I wish I was normal.” The moment I said it, I felt a hard fist of melancholy thump my clavicle. Because, as I’ve said, I grew up a child prodigy and a religious extremist, which meant that I’ve spent most of my life feeling ostracized and alone. Who wouldn’t want that to end?

“Aha!” said Coyote. “This isn’t about religion! This is about loneliness! You want to be yourself and at the same time not alienate other people who might find your irony troubling.” He nodded. “I thought so. What you’re really doing is hanging out with the wrong people. You don’t want to be around religious people at all.”

“I don’t?”

“Look at your pattern. Every time you go to a church, you turn around right afterward and go to a bar or a strip club or something naughty like that. Neither group knows your full story, and they’d both find it weird if they knew. That’s pure tricksterism. You don’t belong in either place, but you can’t simply avoid them. You fit perfectly in the tension between them.”

“You seem to know all about me,” I told Coyote. “Tell me, big shot. Where do you belong?”

“You know, we Indian gods put out an annual New Years postcard. And for as long as we’ve been doing it, the caption for the photo reads, ‘Sun, Moon, Rain God, Thunderbird . . . ’ and ends with ‘Not pictured: Coyote.’ What I’m saying is, I don’t obey the same rules, but it doesn’t mean I don’t belong.”

“So I need to find my own pantheon.”

“Dave,” said Coyote. “It’s not like it’s a huge mystery. You belong with other humorists. That’s what you miss most about working at Hallmark, and it’s why you’ve never been comfortable in Tallahassee.”

“I don’t know any other humorists,” I said.

“What can I say?” said Coyote. “Maybe you should move to New York.”

“Everyone tell me that,” I said. “Now you too?”

“Well of course,” said Coyote. “Because you actually want to move there, and since I’m just a figment of your own brain, I’m naturally just going to tell you what you were thinking anyway. What did you think—I was going to offer real wisdom?” At this, Coyote laughed with his eerie echoless yelp, and as I watched, he slowly faded and vanished into nothing.

Then I woke up and I was still driving. I hadn’t crashed and died. Thank god for cruise control.

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Two Short Notes

One: Jason Rohrbacker has posted my favorite top ten list on his blog! Read and enjoy.

Two: Today's Grand Central music group was two white-haired old black men with acoustic guitars peforming Mississippi Delta Blues. As I passed, I actually heard one of them sing, "My baby done left me . . ." A very good day.

Cultural-Commentary Misfire

I love reading James Barr, whose books on fundamentalism (including Fundamentalism from 1977 and Escaping Fundamentalism from 1982) are sober-minded, well-researched, and extremely withering. But every so often he slips up, and while rereading a chapter of Fundamentalism today on the subway, I noticed this little gem. He's talking about fundamentalism and society and arguing that, in many ways, fundamentalists (his term for evangelical Christians) are very culture-bound in their way of looking at things: tending to go for a scientific explanation for the flood, tending (in health care) to go with medical attention first and prayer second, tending to see conversion as a kind of free-market economics, etc. All pretty true. But then he lets fly with this:

Moreover, the older overt conflict between fundamentalism and science has greatly decreased. The matter of evolution, which was a major centre of the earlier fundamentalist controversy, has receded from the scene ... Thirty years or so ago typical conservative pubishing houses were sill issuing thunderings against the idea of evolution. Today we hear practically nothing about it. (Barr, James. Fundamentalism. London: SCM Press, 1977. 92)

To be fair, James Barr is British, and I imagine the situation is much different in England and Europe in general. But here in America, it's still 1925 and we're still fighting the goddamn Scopes trial all over again every time some lazy electorate accidentally lets a few know-nothings slip into their school boards. The good news is that things actually are getting better and the cultural tide is turning against naive Bible reading---as the fundies' retreat from using the word "creationism" into the more science-y sounding "intelligent design" shows. But still---what the hell kind of 1977 was James Barr living in? And why is the movement so slow?

Quick Political Rundown

Democrat William Jefferson's caught taking bribes! So both parties are now officially corrupt, right? Talking Points Memo points out the difference. The upshot: Jefferson was an independent bribe-taker; the Republicans currently being indicted are part of Tom Delay's pay-for-play system that is actually the heart of the modern Republican machine, resulting in the huge lobbyist giveaways of Medicare D, the Energy Bill, and on down the line. Read here.

I don't expect the media to make much of this difference, though. They're probably wetting their pants over finally being able to call a scandal "bipartisan" and get Fox News off their back. Plus, of course, there's all that sexy footage ...

And here's a nice link (to anther link) to a sobering article about the explosion of the notion of "state secrets" under Bush and how it's interfering with the legal process.

I should have been on the train ten minutes ago. If only my roommate would get out of the damn bathroom ...

Who Needs an iPod Much of the Time?

In my commute, I take the A train from 181st Street to 42nd Street. Then I take the S shuttle across 42nd street to Grand Central Terminal. Then at Grand Central I hop the 6 train down Park Avenue South and get off at the first stop. In all, it takes about forty minutes—thirty of it just on the A.

I mention this because, after doing it for a week, I’m finding one real advantage of going through Grand Central every morning: that’s where the buskers work. In New York, if you want to be a street performer, you have to get a license, and most of the performers have signs that seem to be provided by the MTA. And there’s so much variety that I’ve decided to read the musicians as omens: a good musician means good things. A bad one means it’ll be that kind of day.

So for example, two days ago, just outside the S train, I passed two old black men—one on fiddle, one on accordion—who were playing bluegrass. Their sign proclaimed them The Ebony Hillbillies. That was a good day. The next day I was serenaded on my way to the 6 by a four-person band calling themselves Spirit of Nepal World Music Quartet. Two of them were playing pan pipes. That was bad.

Today, after hearing a middle aged black woman sing, without accompaniment, a haunting rendition of The Battle Hymn of the Republic, I walked down a hall and got to hear another woman—white, fortysomething—sitting in a chair with an accompanying tape player and playing classical music on the saw. (I didn’t recognize the piece, but I think it was Bach’s Third Etude For Violin and Carpentry Tools. Its first performance brought down the house. Thank you! I’ll be here all week!) On the way home, she’d been replaced by a five-piece Dixieland jazz band complete with tuba. Tuba! Between this and the Chinese guy who always plays some Tibetan instrument I don’t know the name of, I think in the past few weeks I’ve seen every musical instrument there is.

Well, except for the bagpipes. That would be a pretty bad day.

Monday, May 22, 2006

Gore '08? Really?

Maybe Hilary isn't the presumptive Democratic nominee. Over at Talking Points Memo, Matthew Yglesias reads a New York Times article that says "Many people like Gore, but he's stigmatized because of his failure last time"---and then, as M.Y. notes, the article fails to interview anyone who actually feels that way. So he's done his own off-the-cuff research and discovers (mostly) the opposite: most of the Democrats who replied actually like Gore, with one exception: the vocal anti-PMRC wing (Remember those PMRC folks? Used to put labels on music albums?).

I'm not a safe guy to ask in this debate because I always felt that the only thing Gore did wrong in 2000 was not stand up in the middle of the Presidential debate and say, "Forget all this 'he-said, she-said' crap! I'd just like to point out that I've been serving this country in the Senate for twenty years longer than my opponent has even been sober!" Harsh, but hard to forget once you're in the voting booth. Then later he could have maybe added, "And I actually did sponsor the bill that funded ARPANET, which turned into the Internet. And I'd like to remind our journalists that confirming facts like this is what The Congressional Record is published for." This is why I'll never be a politician---that, and the fact that I'm an atheist, which makes me theoretically ineligible to hold office in seven states.

Still, that gives me a great idea for a bumper sticker this time around: VOTE FOR A PRESIDENT, NOT A DRINKING BUDDY. I welcome other suggestions. (Jason?)

Sunday, May 21, 2006

The Scene That Would Have Made The DaVinci Code A Whole Lot Shorter

Note: Technically this contains “spoilers,” but since reading a book as badly written and full of self-important hooey as The DaVinci Code provides little pleasure, I'm not sure what I'm spoiling. Still, I thought I’d mention it.

***

Breathless, Langdon ran the streets of Manhattan, looking for a business that was still open this late—a place full of people where he could be safe. He couldn’t see Silas, the homicidal albino, nearby, and there was nothing that proved Silas was still in pursuit, but this did nothing to sway Langdon’s fervent belief.

Then up ahead he saw a light: a Borders bookstore! Were they normally open at one? Langdon decided he would fact-check later. For now, he had to get inside. He raced to the door—it gave easily—and, ignoring the stares of the late-night shoppers, he raced up the escalator to the second floor, which is usually where they put the bathroom. And near the bathrooms, Langdon knew he would find a pay phone. In a few minutes he could relay his secret to his allies in France, and the world, if not his life, would be saved. If only the calling card he’d bought at that gas station in El Paso didn’t screw him over.

But no sooner had he dialed the first few numbers with nervous, fumbling hands, than a powerful grip seized him with one shoulder, and he felt a metal coil constrict around his neck. “We meet again, Langdon,” the albino hissed in his ear. “You ran, but not fast enough, n’est-ca pas? And this time, you will die. You will die, and the secret that I have dedicated my life to protecting will die with you!”

Langdon fought, but it was no use. He was weak and tired and he’d been up far too many nights already. He could feel the garrotte choke off his air, and his vision started fogging . . . fading . . .

“Excuse me,” said a young man of about twenty-two. His nametag said STAN. “We don’t allow fighting in the store. You’ll have to take it outside. At least fifty feet away from the front of the store so we’re not liable.” They looked at him, baffled, and he raised an apologetic hand. “That’s our policy—at least in Manhattan. In Detroit, you can fight on the sidewalk right in front of the store and we aren’t responsible as long as no blood gets on the windows.”

Silas relaxed his grip, and Langdon gasped in precious, life-sustaining air.

“So sorry,” said Silas, with one of his oleaginous smiles. “It was a simple misunderstanding. We’ll be leaving now. Come, Monsieur Langdon . . .”

“Wait!” said Langdon, trying to reach Stan’s lapels. “He’s trying to kill me because I know that Jesus was married! Leonardo daVinci knew all about it and hid messages in his paintings! And Christ’s bloodline extends through the Merovingian dynasty to the present! I’ve met his great-great-great-great-great-great-great-great-great-great-great-great-great-great-great-
great-great-great-great-great-granddaughter and she’s really hot!”

“You fool!” hissed Silas. “You’re off by thirty ‘greats!’”

Stan looked puzzled. “That sounds like you’ve been reading Holy Blood, Holy Grail, by Michael Baigent. It was a bestseller back in 1983 and it’s been in print ever since. I think we have a dozen in stock, but I can order it for you if you like.”

Silas’s jaw dropped. “You mean . . . the secret is out? The whole world knows?”

“I don’t know if you can call it a secret,” said Stan. “I mean, once something goes into its seventh printing . . .besides, can you really call it a secret if no respectable scholar believes it? I mean, that would be like saying, ‘The secret of the UFO masterminds who created the Easter Island statues has been exposed!’ I’d be like, Calm down. They’re made out of porous limestone, they’re light and easy to topple, and fifteen guys can create one in about a day. It’s nothing to kill anyone over.”

“But . . .” Langdon managed, “this truth—it strikes at the heart of all of Christianity!”

“What doesn’t?” said Stan. “Heck, I’ve got books right over here by G.A. Wells and Robert Price that claim that Jesus never even existed. And the idea that Jesus might have been married didn’t lead any church official to assassinate Bishop Shelby Spong, who’s mentioned the possibility in at least three of his bestsellers. And he's still an Episcopal bishop. Honestly, the scholarly wing of the church just isn't that touchy. It’s all out there. All you have to do is look.”

Silas blanched, possibly. “Then . . . all the people I’ve murdered . . . the vows I’ve taken . . . they were for nothing?”

Langdon, too, seemed stricken. “I’ve been threatened, fled from the French police, ruining my reputation and my family relationships . . . for a secret that’s silly and isn’t even secret?”

“Don’t feel too bad,” said Stan. “You’re not the first. I got a lot of this when that movie Stigmata came out. In that one, the Catholic church—the magic, power-obsessed Catholic church!—was murdering people right and left in order to suppress the fact that there was a fifth gospel where Jesus denounced the church that’s been carrying on his name. And I had to tell people, Dude, they’re talking about the Gospel of Thomas, and we sell it right in this store. They even closed the movie with a quote from it. Very big with the New Agers. We sell about thirty a year. And that’s only one out of maybe a dozen other gospels that any scholar could tell you about. And here’s the secret—they’re all very badly written. The four we have really are the best anyone put out.”

“I saw that movie,” said Langdon, thoughtfully. “Isn’t that the one where Tom Berenger is a priest who falls in love with a hooker?”

“I think that was Last Rites,” said Silas. “Stigmata had Patricial Arquette and Gabriel Byrne.”

“Oh, right, that one,” said Langdon. “It wasn’t very good.”

“I wouldn’t know,” said Silas. “I live in a basement. All I do is read our Weekly Abominations newsletter.”

“Hey, you know what?” said Stan. “I’ve got to do this.” And, reaching to his left, he smashed open a fire emergency case holding an axe, and, while the alarms rang behind them all, Stan swung the axe and chopped at Silas’s head. The albino, too evil to move, was felled with a single blow, but this didn’t prevent Stan from continuing his carnage, chop after grisly chop. Soon there was blood everywhere.

“Whew!” said Stan, mopping his brow and smearing the blood that by now was on his face and arm. “I hope a skilled writer gets this down, because I’m not very good at describing things so you can actually picture them.”

“What the hell was that?” said Langdon. “Why did you kill him?”

Stan shrugged a bloody shrug. “I’d just spent a long time lecturing you two. It felt like it was about time for something violent and inexplicable to happen.”

Langdon nodded sagely. “You should write bestsellers,” he said.

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Saturday, May 20, 2006

The Cheeses of Washington Heights---And A Fun New Quiz!

With money in the bank (thanks again, y’all!) and a paycheck coming, I feel like I’m spending my first weekend ever as an actual New Yorker—I’m suddenly not worried about money (I need to budget, but I have enough to live on), and I can suddenly slow down and take the long view: start building a comedy set, shop around calmly for agents, etc. I’ve been smiling all day.

And in my first act as a relatively stable New Yorker, I went to my local market and for some reason noticed, for the very first time, just how much very groovy cheese we have available here. So much that I had to take notes. I mean, we have all the usuals—Cheddar, Swiss, Provolone, Monterey Jack—and the usual outliers—Muenster, Gorgonzola, Edam. We even have cheeses that I’ve heard about all the time but have never actually seen: Fontina, Roquefort, and Stilton.

But that’s just the iceberg’s tip. Here’s a list of all the cheeses I can walk two blocks to get. Thank god I’m lactose-intolerant, or I’d immediately develop a new expensive habit.

To make it interesting, I’ve also added into this list the names of four European rappers and hip-hop groups. (One each of Dutch, French, Italian and Swiss, if you care.) Can you tell which is which?

Bucherondin de chevre
Ronkari sheep cheese
campoerial iberico
Lucien Revolucien
Manchego
Valdeon blue
onetik blue de basque
roccolo
Assalti Frontali
bleu d’Avergne
Etorki le fromage basque
de Spookrijders
blacksticks blue
tomme des pyrenees
Cantalet
tomme de savoie
Irish Swiss/Kerry gold
italian pecorino romano
Hobbitz

I’ve said it before, but it bears repeating: This is a great neighborhood.

LATER:

Before I get e-mail I should mention: No, for some reason I saw no Parmesan and no Bel Paese. (And my capitalization skills are spotty, when it comes to cheese. The labels in the store were all lowercase; that seems to be their house style.) On the other hand, there was not only tons of variations on goat cheese, but the deli counter also had Fat-Free and Low-Fat versions of biggies like Swiss and Cheddar. So maybe the explanation is that Parmesan and Bel Paese aren't health-food-store-friendly. Or maybe it's just the neighborhood: for some reason there's so much demand for Romano that they actually had two huge wheels the size of tree stumps on tables in the aisle.

I'll post the answers in a few days.

Friday, May 19, 2006

What Would You-Know-Who Click On?

A very nice fellow contacted me today, introducing himself as, among other things, a former evangelical Christian. He recently read my posts on Christian utopian literature (In His Steps (1895), What Would Jesus Do (1950), etc.) and suggested that I'm leaving out at least one major work.

And you know what? While you're clicking on stuff, why don't you---especially you cat people---check out this site, created by Steve King: Hallmark writer, former co-worker, and author of the comment, reported earlier this month, "Speaking of animals, would you like to see the rat's ass that I give?" Even with his work at Hallmark, this site makes it clear that Steve has vast entertaining reaches of untapped whimsy. Thank God he's uncorking it now.

LATER:

Almost forgot: My friend (and fellow comedian from back in college) Jason Rohrbacker also has a blog. It's not light verse, but it is Top Ten Lists, so it's just as easy to read. Alas, my favorite list of all time---Top Ten Signs You Are An Insurance Claims Adjuster---is either not on the site or it's hiding. But today's makes a great introduction, too.

Now I'd better go before this posting metamorphoses again.

Lawmakers Against Illegality!

Here's an example of why I like Matthew Yglesias. For a young guy, he has a keen grasp of rhetoric that allows me to forgive his constant infelicitous spellings:

The Senate yesterday "voted to make English the 'national language' of the United States, declaring that no one has a right to federal communications or services in a language other than English except for those already guaranteed by law." So the only services people will have a legal right to obtain in non-English languages will be the ones they . . . have a legal right to obtain in non-English languages? Good times.

He's standing in for Josh Marshall all week at Talking Points Memo. Go check it out.

Speaking of that last post . . .

For your convenience, here are the URLs for all the poem posts I've made on this blog. (And if you were on my old mailing list, don't forget to consider my Z and W and other vocab poems as well.) I suck at linking, so these are just the URLs---you'll have to cut and paste them yourselves. When I get my first paycheck, however, I suspect I'll be able to conquer everything, including learning curves!

http://bourboncowboy.blogspot.com/2006/05/another-subway-poem-because-todays.html
http://bourboncowboy.blogspot.com/2006/05/three-no-make-that-six-subway-poems_18.html
http://bourboncowboy.blogspot.com/2006/05/vocabulary-poem-parsonet.html
http://bourboncowboy.blogspot.com/2006/04/five-more-subway-poems.html
http://bourboncowboy.blogspot.com/2006/04/four-subway-poems.html
http://bourboncowboy.blogspot.com/2006/04/vocabulary-poem-orectic.html
http://bourboncowboy.blogspot.com/2006/04/vocabulary-poem-parish-top.html
http://bourboncowboy.blogspot.com/2006/04/vocabulary-poem-oograph.html
http://bourboncowboy.blogspot.com/2006/04/vocabulary-poem-quisby.html
http://bourboncowboy.blogspot.com/2006/03/three-vocabulary-poems-bush-tit.html
http://bourboncowboy.blogspot.com/2006/03/vocabulary-poem-partheniad.html
http://bourboncowboy.blogspot.com/2006/03/vocabulary-poem-oikology.html
http://bourboncowboy.blogspot.com/2006/03/vocabulary-poem-jentacular.html
http://bourboncowboy.blogspot.com/2006/03/vocabulary-poem-omnist.html
http://bourboncowboy.blogspot.com/2006/02/lament-in-verse.html

Thursday, May 18, 2006

Post-Update Update, or Another Quixotic High Concept Is Born

Money came! You can basically relax now and wait for me to repay you. FYI.

In other news, I thought I'd mention that I'm overloaded with light verse poems at the moment, and there's no reason that I couldn't make a book out of what I've got, and (if I may risk an immodest assertion) no particular reason I can see that people wouldn't want to buy it. (No one who ever grew up loving Shel Silverstein, anyway.) The problem is, I can't seem to convince a single agent to even look at what I've got. The only way, I've been repeatedly told, to get anyone to pick up a book of funny poems (or a book of humor, for that matter) is to be famous for something else first. So that sucks.

However, there is one guy in the country who really does make a living writing (among other things) light verse poetry: Calvin Trillin. And he's really good at it---so good, in fact, that he has just published a book of poems about the Bush administration, compiled (and, I believe, slightly expanded) from a series he does for Time Magazine. And here's the thing: he's coming to The Strand Bookstore in mid-June to read from and promote said book! So my plan is, in the absence of any other influential fans, I'm gonna go there (and buy his book: support light verse!) and give him a sheaf of some of my poems. If he's the guy I think he is, he'll hopefully be impressed and maybe kick open a small door somewhere. (And then I'll kick one open for my former co-worker Scott Emmons.) I'm thinking five pages would be enough to show that I'm consistently good and can produce plenty more.

I may, of course, be delusional. But if it doesn't work, I'm no worse off than I am now, and at least the poems will be read by a fellow practitioner.

So here's your chance to be an enabler! If any of the poems I've written on this blog seem like especially strong candidates for a five-page sampler, please let me know! I've got a month to assemble a sort of light-verse C.V. , and I'd welcome any help y'all are willing to give. (And if you want to vote for some poem I've e-mailed you, feel free to post it in the comments.)

By the way, I've also noticed something wrong with my website: it has no links to other websites. So if you have a website, send me the address and I'll see if I can figure out how to link to it.

Evening Update

Thing #1: I finished editing the crossword puzzle book! It took 72 hours and I wrote literally 53 single-spaced pages of corrections---and I was finding errors right up to the end. But it's over and now my evenings are free! (And I've got $1440 coming in two months or so.)

Thing #2: To survive until payday, some generous friends have told me they've fronted me money. So far, only one check has arrived, and I've had to spend half of it on a MetroCard to last me the next two weeks. The good news is, this is the last possible thing that can go wrong: I've got a job, I've got wonderful people lined up to support me until payday . . . and I wind up getting fucked by the postal service.

I'm mentioning this because I've been getting e-mails asking, "Did you get my letter yet?" The answer, alas, is no. (Except for you-know-who in Boston. Thanks! For the rest among you: I don't know. Maybe it's a time zone problem.) I still haven't seen the mail today (my roomates/landlords have the only key and they're not home), but it sure seems like I ought to have something tonight or tomorrow. I'm crossing my fingers.

Thing #3: On a happier note, I was reading Slate, and I really love this smart pair of sentences in Dana Stevens' review of The Da Vinci Code (a movie that sounds, by the way, like it's successfully preserved the lumbering boneheadedness of the novel):

But despite its purported iconoclasm, The Da Vinci Code is at heart deeply religious, and monotheistic at that: It wants us to believe that there is one secret truth that can change history, that that truth is knowable, and that only through Tom Hanks can we know it. Our salvation depends on Forrest Gump.

Another Subway Poem, Because Today's Commute Was Unusually Fertile

PARDON ME FOR SINNING

My soul is in more peril than a fool like me can tell,
According to the upshot of the warnings that you yell,
For God is a perfectionist whom only blood can quell
And all my human decency just don't amount to beans.

I see you every morning near the F train and the L,
Just railing at a table with the sermon tapes you sell.
I didn't take your flier, but perhaps it's just as well.
If Heaven's full of folks like you, I'd rather go to Queens.

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Three---No, Make That SIX---Subway Poems

(There'll probably be more of these by the end of lunch. They're addictive.)

Subway Epitaphs


Here lies Manny Hadden, whose commute drove him insane.
He had to take the S train, but he could not take the strain.

*

Pierre's cremains are what this is;
He's gone and we are now bereft.
He took an urgent third-rail whizz---
At least he went before he left.

*

Miss Norma knew she'd one day be a star;
Filled vacancies while waiting for her prize.
The gap between the platform and the car
Turned out to be exactly Norma's size.

(LATER: Yup, here's a few more, from the ride home.)

*

On subways, Phil played chicken once too often,
And died, as you would probably expect.
We would have liked to use a bigger coffin,
But this was all of Phil they could collect.

*

Always angry, always vocal,
Jane felt pain inside her chest.
Though she always took the local,
Now at last she's been expressed.

*

Here's ex-subway rider Morgan Potts,
Who died from bleeding when he lost his hand.
He read the sign---"DO NOT HOLD DOORS"---but "not"'s
The only part he didn't understand.

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I Hope We Have Casual Thursdays

My shirt is wrinkly and I can't find my razor and it looks like I won't be able to find it in the next ten minutes. What's worse, I discovered this morning that if, say, you have a space problem in your bedroom and, in a pinch, you drape your just-discarded towel over a bike's exercise wheel, if you use the towel the next morning, the whoe towel smells like rubber. Both sides. So I hope no one sits too close to me today, because I'm wearing just a spritz of Eau de Wal-Mart.

On the bright side, I'll definitely finish my crossword editing job tonight. Then I'll have time, when I get home, to actually clean and iron and wash clothes and stuff. Today, though, I'm going with the Vaguely Homeless Look, which hasn't been hip since grunge. Sigh.

Tuesday, May 16, 2006

Catch Seniority Fever!

My job for the next half hour or so is to read the Company Policy Manual. And when I ran across this snippet, I had to share:

P***y P**********s provides employees with three paid personal days per calendar year … After 20 years of employment, employees will receive five paid personal days per year, instead of three.

Don’t do me no favors, Mister The Man.

LATER:

Guess who reads blogs looking for references to the company I work for? The company I work for! So I've scrubbed a few specifics, and from here on out I think I'll just be silent about my work life on this blog, the same way I'm silent about my love life. Just know that, after two days, I'm actually having a lot of fun, and I actually don't see things changing in the near future, because the only thing I ever hated about nine-to-fiving was that it ate up all my day and everything was closed when the workday was done. In New York, no such problem obtains---everything cool happens after 6, and if I was free during the day I wouldn't be doing much anyway. So sacrificing those hours to a job I'm good at that actually pays the rent is a no-brainer.

My First Mystery Story---Or Is It?

I work right alongside a bunch of Dell fiction magazines---Analog, Asimov's, Ellery Queen, and The Alfred Hitchcock Mystery Magazine. And I discovered, while thumbing through a few sample issues of each, that Alfred Hitchcock runs a feature called "Mysterious Photograph," where you're given a photo and asked to write a short 250-word story about the photo. ("Remember to include a crime," they say.) So, since 250 words is as nothing to an inveterate typist like myself, I decided to compete.

The photo shows a bunch of buffalo (or possibly bison) on a field, with two things that look like goalposts stretching up above them. Here's my entry, which I wrote on my lunch hour.

THE GREAT BUFFALO CAPER

by David Ellis Dickerson

“Gee, Wendy,” said Lars. “Do you think it was such a great idea to sneak in to the national park with your dad’s semi, load up a bunch of buffalo, and then release them on the football field right before your school, the Winston High Buffaloes, plays an away game against your school’s rivals, the Laramie Coyotes?”

“Could that question have been any longer?” said Wanda.

“And then to picnic among them for the sheer danger of it! What a fun idea. I’m excited to be picnicking with you, Wanda,” Lars continued, “which is odd, because I’m not only terrified of buffaloes, but I have that heart condition I told you about where if I’m startled for any reason I might die and leave all my money to my half-sister.”

I’m your half-sister,” said Wanda.

“I know,” said Lars. “I love exposition.”

“Well, here we are,” said Wanda, parking the now-emptied semi. “Now take the blanket and let’s find a place with a good view. Somewhere where we can see both goalposts. I want to send the picture in to the Laramie Bugle.”

They found a seat and started eating.

“You know,” said Lars, thoughtfully gnawing a bundt cake, “The American bison is one of the largest wild cattle in the world, surpassed only by the gaur of Asia and the water buffalo of India. And it’s the state mammal of Wyoming, which is where we live.”

“Uh-huh,” said Wendy, fighting to keep down her nervous bile. They’d already violated a state law prohibiting the release of wild animals on or around school property. If they were discovered, it was back to juvie for Wendy. And this time, after her third strike, it would be hard juvie.

“The buffalo nickel was minted from 1913 to 1938,” Lars added. “And there’s also a buffalo on the new Kansas quarter.”

“Jesus Christ!,” Wendy said. “Have you been reading Wikipedia again? Because I’ll be honest, Lars, I find your constant nattering quite annoying. I always have, ever since we were kids.”

“Really?” said Lars, blinking back tears of bafflement. “Why tell me now, after all this time? I have to say that I’m . . . buffaloed.”

God, you’re irritating!” said Wanda, and she shot him with a Glock nine millimeter that she’d brought with them in the picnic basket, and which probably should have been mentioned earlier. But at least Lars is dead now. And the wind made a spooky sound.

Monday, May 15, 2006

Quick Lunchtime Update

So far, I like the job. I even double-checked a Cross Sums puzzle and my eyes didn't cross. So I'm feeling good.

In other good news, there's a deli downstairs where anyone who wants to can order a bespoke salad---including one with spinach as the base and fat-free vinaigrette as the dressing---and be happily filled up for under five bucks. I feel positively virtuous. This bodes well for my diet in general.

Mostly, though, I wanted to mention a few political things. First, word all around the web says that Karl Rove is likely to be indicted this week. More interestingly, ABC News is reporting that it was warned by a government official that their reporters may be targets of the government's data-mining operation---you know, that illegal one that they couldn't be bothered to take through FISA? Not because of ABC's links to terrorism, but as part of the White House's attempt to crack down on leaks! Oops! If this gets public play---and it's already on washingtonmonthly.com, talkingpointsmemo.com, and dailykos.com, in addition to ABC News---Bush's credibility and competence take another long-deserved blow. My prediction? By this time next week, his approval drops below 29%. And anyone who still thinks this is good government should raise their hands and swear on a stack of Bibles that they'd be okay giving the same amount of unrestrained power to Hilary.

By the way, if you go to washingtonmonthly.com, scroll down a little and you'll find an article that he links to which suggests that Hilary may not be the presumptive nominee, but Al Gore might. (My guess: it depends on how his movie does.)

Okay. Back to work. (I have work!)

Are You Trying To Make Me Cry?

I'm off to work (Work! Yay!), but before I leave, I thought I'd share. Last night an anonymous poster responded to my posting about the "In His Steps" school of Christian utopian literature (Including In His Steps (1905), What Would Jesus Do (1950), and In His Steps Today (1987)). And they wrote the following, which I quote in toto:

boy you are pretty judgemental for someone who claims to be anti=evangelical.
In His Steps Today is a corny old book but written with humor and attempt to relate to Christians of that era. At least these people were trying for something better or above themselves, instead of just making fun of what others are doing.
Sorry, I have never read your blogs before, but you sound like a jerk.

There was a time when I was so anxious to have everyone like me that a comment like this would have driven me to sleepless agony. But today I just want to point out what I hope is obvious to everyone who read the original post: the angle of my essay will be tracking the decline in an idealism that I basically applaud. In His Steps is about changing the world forever in the name of idealism; In His Steps Today is a book about a Bible study group of eight people that tries to live like Jesus for a week. I call that shrinkage. What a jerk I am!

Also, of course, I haven't actually written the article yet. So let me point out that one of the interesting things about this strain of literature is that, the less idealistic it gets, the more the writing improves. In His Steps Today is clearly the best-written book of the bunch, and the only one of them that gives sentences and descriptions that provide something akin to actual pleasure. It's also skeptical about its own aims and its history. ("No one ever really does what Jesus did," says one person. "No one sells all their belongings and gives to the poor.") And it's the only one of the books that contains interesting, unidealized female characters and actual black people. (One of the painful things about What Would Jesus Do? is Glenn Clark's loving tendency to write his ethnic people in dialect. Fortunately for the modern reader, his most common target is not African-Americans but the Scottish. But he deserves some sort of fine for abuse of the apostrophe.)

So, Mr. or Ms. Anonymous, I hereby suggest that if you're genuinely interested, please read the article once it's finished and (I hope) published by The Believer, and then you can weigh in on the fairness of what I've done. But be aware that it may contain standard capitalization.

I hear the buses rumbling outside. Wish me luck! I haven't held a nine-to-five job in six years. Do they still have water coolers?

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Sunday, May 14, 2006

Why The Crossword Editing is Going So Slowly

I just wrote the following note on a SINGLE CLUE. I've got 36 more whole puzzles to go. Note, by the way, that the clue is a theme entry leading to the phrase SOUPY SALES, and my innovation was to add a question mark at the end of the constructor's original clue.

27D. Concern of Seinfeld’s “Nazi”? [NOTE: Technically, “Seinfeld” should be in quotes, since it refers to the TV show. But that would leave two quoted words right next to each other, so I went for readability over style consistency. Also, this would seem to be a perfect example of the lower-case use of “nazi,” but every source I can find capitalizes the character as “The Soup Nazi.” So if you’re going to cap it, I think you need to quote it. You could maybe rephrase it to keep the quotes apart: Concern of a “Nazi,” on “Seinfeld”? In any case, you need that terminal question mark to match it with other theme entries.]

As of this writing, with 119 puzzles finished, my list of fixes on the puzzles takes up 13,070 words, or 82 double-spaced pages. Maybe I'm doing this wrong.

LATER: It's been six hours now, and I've knocked off ten more puzzles. Thirty to go. And four more pages of corrections. In just ten puzzles, this guy has tried to assert that "Enos" was a character on "Sheriff Lobo," that an AMBER Alert is the same thing as an APB, that Camelot contained a character named Enid, that Bush headed the CIA under Nixon (it was Ford), he called the Mayo Clinic a "practice," and twice got a podium confused with a lectern. He also misspelled---in the grid, of course---the phrase "papier-mache" (he spelled it PAPER), and the card game Mille Bornes. (He used it to clue BOURNES.) On top of this, he gave the clue "Ender's commander" for GRAFF--a reference to Orson Scott Card's Ender series of sci-fi novels, for those of you outside the geek demographic. Oh! And let's not forget that one grid included the word SAMBO. (I changed it to SAMBA, so now we can sell the book in Atlanta and Chicago.) I take it back---I'm not the one doing anything wrong. No wonder I feel beleaguered.

Vocabulary Poem: Parsonet

Posting's been light lately because this crossword editing gig has swallowed up my life. Today I have 40 puzzles to edit before I finally finish. Deadline’s tomorrow. It’s noon now. Think I can make it?

In the meantime, here’s a new vocabulary puzzle I wrote while drifting to sleep last night. I suppose it's sort of appropriate for Mothers Day, but that's an accident. I was just trying to keep my friend "Hawai'ian Brian" happy. He likes the vocab poems.

PARSONET (par-son-NET) n. The child of a parson.

You can bet the parsonet
Knows how to smoke a cigarette,
And which drinks go with anisette,
And how to steal the neighbor’s pet . . .
In short, the guy’s a hellion.

If female, she’s a mad coquette
Who wrecks the car the day you let
Her drive, has drugs and gambling debt,
And who, when threatened, tends to get
Extremely Machiavellian.

But parson, don’t despair or fret
Or ask for help from Boba Fett.
You did your very best—and yet
The price of having children’s set
At “decades of rebellion.”

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Friday, May 12, 2006

A Brief Observation For Posterity

I just came back from a drink date with a friend of mine (and his daughter, who's incredibly young) in Midtown. He paid. (Thanks, T-Mobile! Hpe you're enjoying all my money!) And while I was heading back to the subway station, I passed the Golda Meir Square, a small public park that features (as you might expect) a bust of Golda Meir facing all the picnic tables. And it inspired the following thought:

If I ever decide to enter public life, I hope to adopt a tall, spiky mohawk. That way, if they ever make a statue in my memory, pigeons will be disinclined to sit on my head.

If more people had adopted this simple practice, the world of statuary would be a lot less embarrassing. And they wouldn't have to pay a maintenance guy to climb up and sponge the poop out of your eye. Is that how you want to be remembered? Of course not. So start planning now.

Thursday, May 11, 2006

Cinco de Onze!---a brief thought

I didn't really celebrate Cinco de Mayo, because for some reason nobody in Washington Heights really raises the roof for it. I guess it's not as big among Dominicans as it is in the Southwest. (Either that, or it's a million times harder to get fireworks, which I can imagine.) However, in an effort to find something undistracting to listen to today while continuing to plug away at this oppresively sloppy book of crossword puzzles, I discovered that my cable system has several channels that play only music---including what it calls Latin Pop. Bueno! Better late than never. I listened to it all day, and I invented only one thing, which I hereby share with everyone.

The Spanish-Language Rock Music Drinking Game

1. Whenever someone says "corazon," take a drink.

That's it, but it's enough. What's great about it is that you don't even need to know the language. But take small sips, or you'll have the spins in ten minutes. You can always hear it, because it's impossible to hide. It lumbers along in every lyric like a Mylar balloon stapled to an eel. Face it: the Spanish language got screwed when it was inventing words for its love poetry. "Corazon" is as crappy a rhyme word in Spanish as "love" is in English. But the good news is I got some crosswords done. I only wish I'd had a little more time to write posts. This crossword book is the polar opposite of the bee's knees.

Tuesday, May 09, 2006

Who is Phil Vaughn and Why Does Shirley Temple Dig Him?

In Honeymoon (1947), Shirley Temple, age 19, is in Mexico and unable to find her fiancee, a GI who was supposed to meet her at the train station. With nowhere to go, she runs to the American embassy and runs into diplomat (and suave older man) Franchot Tone, who, in the tradition of the romantic comedy, winds up spending time with her to help her find her man. I’m still watching it, so Shirley and Franchot haven’t fallen in love yet, but the level of jokes so far hasn’t led me to suspect any surprises. (When the two of them wound up on a Mexican river barge, I said, “I just know this scene will end with one or both of them falling into the water.” Yep!)

But what’s been distracting me—even as I hammer the final nails into the coffin of this one-day-late, unspeakably sloppy crossword book—is a scene where Franchot and Shirley wind up dancing. During the dance, they have the following conversation:

Franchot: I’m a little too old for this type of dancing.

Shirley: Oh, don’t be self-conscious. You look fine. You know, all the girls really go for the Walter Pidgeon type.

Franchot: If the girls are all fond of the Walter Pidgeon type, how come they always wind up marrying the Phil Vaughn type?

Shirley: Maybe it’s because the Walter Pidgeon type always winds up marrying the Myrna Loy type.

What fun! Because as an old-movie lover, I know that in The Bachelor and the Bobby-Soxer (as I noted earlier), Shirley and Myrna Loy vie for the affections of Walter -Pidgeon-aged Cary Grant (and, per Shirley’s assertion, Myrna wins). Similarly, Walter Pidgeon and Myrna Loy hook up in at least four films, from 1928's Turn Back the Hours to the 1959 TV version of Meet Me in St. Louis. So both those statements track.

But there’s a flaw. The first is that Shirley Temple and Walter Pidgeon were never actually in any movies together, much less trading sparks. In fact, there’s no indication that Walter Pidgeon was ever the love interest for younger women—unlike Cary Grant, Humphrey Bogart, or Gary Cooper, all of whom might have been better examples in the above dialogue. Instead, Walter Pidgeon kept getting wed, in movie after movie (seven in all), to the age-appropriate Greer Garson. (And here’s a weird factoid for everyone who’s ever thrilled to his resonant voice: he sang baritone, not bass!)

But the second problem is more vexing. I don’t know who the hell Phil Vaughn is. There’s no mention anywhere of a forties-era “Phil Vaughan” in IMDB or on allmusic.com. (And I’ve tried Vaughan, Vaughn, Vaghn, and Von). Can someone help?

LATER: Turns out that they were saying "Phil Bowen." And Phil Bowen is the name of the character played by the soldier/wannabe husband. I discovered this in the wedding sequence at the very end where Shirley, after being distracted by Franchot, winds up with the Phil Bowen type after all. But not before three more people also tumble into swimming pools, each one less hilarious than the last. Oy.

By the way, the very next movie on TCM turns out to be That Hagen Girl, a famously bad film starring Shirley Temple and Ronald Reagan---and although Reagan went on to greater fame in politics, here on the screen there's no question which of the two is Madam President. It's not a great role, but she does a pretty good job, considering the script contains lines like, "Hey, baby, don't be stolid---be solid!" and enough people saying "Gee, that's swell!" to support an entire drinking game.

And this seems as good a time as ever to point out that, between this movie and Honeymoon, I think I'm over Shirley Temple now, and have moved on to Myrna Loy, who, as IMDB notes, was a "feminist and lifelong Democrat." What a shame she was never ambassador to anything. I'd have totally voted for her.

Saturday, May 06, 2006

What's With All These Excerpts, Since You're No Doubt Wondering

If you've been away for a few days, you may have noticed that I suddenly dumped a lot of excerpted material on this site in the last three posts. It's my way of saying thanks to everyone who's read my blog and helped me out over the last three occasionally stressful months. It seems to me that the best way to repay loyalty is to keep the site full of entertainment. Since my freelance gig has been keeping me too busy to post the last few days, this is a thank-you with interest. In the future I imagine I'll do shorter posts and more of them. (But still basically funny and/or interesting, we all hope.)

For now, though---and especially those of you who were on my Dave Update list last summer---enjoy the thrilling conclusion of my journey. I realize it's a lot of material, but what the hell; it's the weekend.

Book Excerpt: Journey's End, An Epilog, and a Final Burlesque Review

Here's the last chapter, which will make more sense if you've read the other two posts ahead of it. This is the last post I'll make from my book, for fear of wrecking its sellability. But those of you who were on my mailing list throughout the ordeal deserve to know how it ended. Thanks especially to Cary Pearsall, Trip Payne, Barry Faulk, Susan Glass, and my brother Daniel. This is for you.

*******************************************************************************

After another week in Tucson, some money finally dropped into my account (although it was only about $250) and I was able to limp home, turning up my nose at the blandishments of Baton Rouge and Austin on the way back. At this point, I couldn’t afford anything except a beeline to Tally.

The trip back was a nightmare. My a/c still wasn’t working (and when I pulled out of Indio, the temperature in the desert was a hundred and eighteen), I’d burned through all my books on tape, but even the ones I might have re-listened to were a lot harder to hear now that I had been forced to go from using my car’s tape deck to using a cheap boom box beside me. Ditto for the music. Every fun thing about driving turned down in volume and all I really remember is hours and hours of dark, oppressive roadways, and sleeping in the car two nights in a row, not bothering to shower. My humanity seemed to be flaking off of me in little scales. By Mobile, I felt officially homeless. When Tallahassee appeared, I felt as though I’d lost the power of speech and had descended to the level of brute beasts.

I finally pulled up in my driveway at around four in the morning, dead exhausted. And the second I opened the door of my home I knew something was wrong. The entire place smelled funny—off, somehow; intensely musty or something. I couldn’t turn on the lights, because I’d forgotten to restore power before I returned, so I simply blundered in the dark, through the weird-smelling clutter I vaguely remembered leaving behind, and crashed to my bed. I slept twelve hours.

When I woke there was still enough sunlight for me to see by, and as I lifted my head from the pillow, I noticed that right next to where my head had been resting there was a dime-sized splotch of mold. On my pillow. I threw the pillow aside. The bed was dotted with mold as well. Or possibly mildew; I was in too dissociative a state to properly analyze. I went to the closet and discovered the same dusting over all my best clothes. With a sinking heart, I went among my books and found, thankfully, that I’d only lost about a third of them. But my clothes— everything I hadn’t brought on the trip—were a total loss.

It turns out that when you leave Tallahassee for two months, it’s considered wise to keep your air conditioner running. You know—so the mold doesn’t destroy everything. I’d lived in Tallahassee for six years and no one had ever mentioned a damn thing about this. What kind of stupid city is this? In Tucson, you can walk away from your possessions for years and nothing happens to them. In Kansas City—well, I never had eight weeks off in Kansas City, but it sure felt like I could have left for two months without losing everything I owned. That the way life’s supposed to be! Who the fuck invented this dangerous latitude? Humidity: what’s up with that?

I didn’t have renter’s insurance (but I'm learning!), so I was suddenly faced with having to find a new place to live, and find a way to replace most of what I owned, when I was already broke and in hock up to my thorax. I hit up a few more sympathetic friends, and I stayed on peoples’ couches for the next two weeks, and then, a few weeks later, I got my financial aid, and things got better. Sometimes when I’ve had too much to drink I have nightmares during which I’m told that I call out for vengeance against Meruliporia incrassata, and then I twitch myself awake.

Speaking of money, it turns out that the reason I ran into a sudden shortfall in Santa Monica is that, contrary to my reasonable assumptions, the summer stipend I signed up for wasn’t actually enough to cover me for the summer. I don’t lead a lavish lifestyle. My income as a grad student is just shy of a thousand a month. This stipend literally cut that in half. Again, I have to wonder: who the fuck thought you could offer someone not enough money to even make rent and call it a stipend? It’s such a stupid idea I hadn’t even bothered to consider it. I just assumed that any stipend, qua stipend, would by definition be roughly equivalent to what you’d be getting at your usual starvation wages.

Those scars are still with me. But another thing I kept that took me completely by surprise was the cowboy motif. I didn’t realize how much I loved and missed the West—except for New Mexico and West Texas—until I’d been there for a few weeks. And I decided to keep a part of it with me, switching to blue jeans from slacks, from dress shoes to boots, adding a hat or two to my wardrobe, and adopting the occasional large belt buckle. Nowadays when you see me, my clothes announce, “Howdy! I’m from a state where we don’t fear the weather, because it makes some kind of goddamn sense! You humid people should try it some time!” Once my financial aid came in, I even splurged a little and got a full-on old-school cowboy shirt: the sixties style with the smile pockets in front, the multiple snaps along the sleeves, and ilustrated panels on the chest and back. (Mine’s white and shows a poker hand with four aces. They were out of the black one with gold scorpions.) Gaudy as hell, sure. But when I put the whole suit on, the overall effect is so fun—so devil-may-care, so funky-rock-star—that I no longer need ego strength or self-esteem. My shirt does it for me. I can’t remember when I spent fifty bucks more happily.

A little over a month after I returned, I was in my cowboy outfit buying a country CD at my local independent music store (I’m starting to make friends there; they like my taste) when I saw a flyer lying loosely on the counter announcing that Tallahassee would soon be hosting The Fluffgirls Burlesque Tour.

“The Fluffgirls?” I said to the clerk, grabbing the paper and brandishing it excitedly. “I’ve met them! They’re the coolest!”

“I’m sure they are,” he said. “Could you hand that back? It’s our only flyer.”

Right then I started dreaming. I would show up early, remind them of who I was, and I’d ask if they needed any help. Maybe I could even replace Count Smokeula—just for one show; I’m sure he’d understand. Part of me went back to my stand-up comedy days. Soon I couldn’t pass a stage without standing on it to get a feel for the lights and the mike. In my downtime, my brain was feverishly concocting an act. I knew it was silly—how could I possibly waltz in out of nowhere and take over emceeing a professional show I knew nothing about? For all I knew it was a completely different show. Maybe they didn’t even need me anymore. But I couldn’t stop thinking about it. For the next two weeks I’d literally lie awake nights, unable to sleep because I was feeling too much hope. I never even used to get that way around my own birthday.

On the night of the performance, I decided to dress up in full cowboy gear—it’s the most theatrical shirt I own—and I thought, “What the hell; I’ll bring some Jim Beam Black in the trunk just in case they invite me to their hotel room after the show.” I actually did arrive half an hour early, and I was let in (another former student was running the door). And there, right beside the stage, Cecilia, Indra, and the manager-guy were sitting at a table, along with some lean young man in a zooty suit I didn’t recognize.

They remembered me! I was invited to sit down! I felt like I was one of the cool kids in the lunchroom. I asked how things were going, they asked about my book, and then I was introduced to the guy in the suit: he was Jack, their emcee. (Damn!) Not only that, but he was so funny, so charming, and so clearly skilled at what he did that it was impossible to resent him. They’d found him in New York, where Jack had literally been working as a carival barker at Coney Island for eight years. While I was sitting there talking to him, I kept thinking, “Sure, he’s smart and funny and has stage presence, but so do I. I could do what he does. And here I’d been afraid I couldn’t emcee because I don’t play an instrument. I guess that doesn’t matter!” He even seemed familiar in some way, like I’d met him before.

Then the bomb dropped. “I’m also a sword swallower,” he said.

“He’s really good,” said Indra. And she’d worked with fire-eaters and other freaks so she would know.

Damn! If that’s what it took, I’d never make it. I was in my last semester at Florida State; it was probably too late to take a circus class now.

And yet, hope refused to die entirely. I asked if they needed any help.

“Funny you should ask,” said Cecilia. “We could really use a stagehand tonight. Could you help?”

Could I! My duties involved watching the stage very closely to see where all the pieces of clothing were falling and then, between acts, slipping onstage to collect everything and bring it back to the changing room. I was also charged with manning a footstool, to help the girls get on and off the stage. I was introduced to the third (and only other) dancer for this tour—a positively breathtaking little fetish model named Angela Ryan. Then my tenure as a stagehand officially began with handshakes all around.

“That’s great,” I said. “And then afterward we can maybe go someplace and party. I brought whiskey.”

Cecilia practically lunged at me. “You brought whiskey?”

“Jim Beam Black,” I said. “Why?”

“You really are a godsend.” She gestured toward the bar. “This club is beer only. We’re going crazy. Do you think you could sneak the whiskey into the dressing room?”

And so, supplied with an offical-looking backpack that was filled with stickers I was charged to show in case I was stopped, my first act as the offical Tallahassee Fluffgirls Stagehand was to smuggle a bottle of whiskey into the dressing room. I was greeted warmly by the girls, one of whom—Indra—was in mid-preparation and was currently just standing around in her pasties and panties. (“Don’t mind me,” she said, laughing. “But if you look too long I’ll have to charge you.”) Someone found Dixie cups and we filled them and clinked them together. (“Skoal!” said Indra.) And with that sort of underground communion, the show began.

As much as I’d liked their earlier show, this was even better. For one thing, the emcee was terrific, and his corny/carny style was a perfect match for the winking retro shtick the girls were doing. But also, because there wasn’t an overarching theme, the dances were able to be more creative. Cecilia started as a trophy wife, dressed all in gold, standing stiffly on a pedestal, and gradually breaking free. Indra brought out a whip and a dominatrix outfit. But I think my favorite bit came from Angela, who had an elegantly simple bit where she walked onstage in a leotard, brandishing a large pair of scissors, then she sat down in a chair and slowly—and quite artfully—began snipping away at the leotard wherever she had curves. Then, for the piece de resistance, she cut the leotard away from each of her breasts—and she was wearing pasties shaped like skulls. So gothy! So funny! The crowd went nuts.

Jack’s sword swallowing act was brilliant. Fairly simple, but well written to emphasize the comedy and absurdity. He did multiple swords. He lit a sword on fire. He got an audience member to pull a sword out of his throat. And so on. All fairly standard, I suppose, but perfect for the show—and a great way to kill fifteen minutes or so while the girls got dressed for Act Two.

As for me, since my shirt was white and there was no way I was going to be inconspicuous, Jack and I worked out a few little bits where I’d conspicuously pretend to slip a bra into my pocket, or furtively try on some of the panties, etc. I went by the name of Dusty Chaps, and it was my first experience of being a straight man. Jack would say something about where they’d found me, and I’d roll my eyes theatrically or make ironic gestures behind his back. It seemed to work. I also had a lot of fun chatting quietly with Jack during the sets when we were both just offstage.

“What a great job you’ve got,” I said. “I’m so jealous. You get to actually be a barker and it pays your bills.”

“It’s nothing you couldn’t do,” Jack said. “Hell, I was born in Tennessee.”

“So what you’re saying is, all I need to do is move to New York.”

Jack nodded, looking at the show. “Dare to dream, and all that. You gotta do what you love.” With his face silhouetted against the footlights, his eyes were intent and glittering, his nose a little pointed, his bearing poised and ready. I realized now why he looked familiar; he was practically a real-life trickster god.

I watched the show, chatted with Jack, brought the clothes back, and every so often we’d pass around the bottle. When the show ended—no conga line this time—everyone came onstage . . . and I was invited to come on, too. I bowed along with everyone else. It had been a great show. I’d been honored to be a part of it. True, I’d had a bit of whiskey, but even if I hadn’t I know I would have felt pleasantly drunk anyway.

And right then, looking out over the flush-faced crowd of fifty or so, who were all applauding and just as enthusiastic and joyous as I was, a crowd who also seemed to understand what we were doing (that’s right; I said “we!”), a thought crystallized in my brain, so clearly I almost spoke it aloud. As absurd as this is, I told myself. I have actually found my calling, and I’ve found my people: Coyote was right. I belong in the circus. And my friends are all the real artists; the performers who think about what they do when they entertain. After thirty-six years of not understanding normal people, of losing interest in workaday things, of moving every four years or so and feeling simply incapable of having a standard career, it seems I’ve finally found a job I was made for.

And as I watched the tip tray go around, slowly filling with dollar bills, a second realization came: I will never, ever pay off my student loans. But in a way, that doesn’t even matter, because it’s not like I could choose another path. This, it turns out, is the road I’ve been traveling for as long as I’ve trusted the pull of happiness over respectability. And I won’t be surprised if, as I continue to follow this pull, the next time I stop and look around, I’ll find that I’ve wandered into Manhattan I wonder if theVa-Voom Room is hiring.

Book Excerpt: Tucson Part Two or Burlesque Review Part One, Depending on How You Look At It

As if to confirm that it was the locus of all things I find wonderful, when I'd visited The Surly Wench Pub the first time I noticed that it had flyers announcing an upcoming performance by some travling troupe called the Fluffgirls Burlesque. It was only a a few nights later. So, a few nights later I returned for it. The Pub was packed—at least 300 people at seven dollars a head, standing room only among lots of dark round wooden tables. The stage had tiki statues, oodles of fringe, and the mike was festooned with glowing Hawaiian flowers plugged in somewhere off stage right. And of course, as a background accent, the inevitable leopard print curtains.

The crowd was about 65% female, and (if haircuts are anything to go by) at least 25% lesbian. Huge range in ages—teen to gray-haired—but the mode was probably 35. It was basically my peer group, and again I felt like an unwitting cliche.

I’d seen burlesque in New York City with a friend of mine named Terra. We went to a place called something like “The Va-Voom Room” and watched a series of very playful burlesque bits, including my favorite—a woman who came dressed like a walking book, and as she turned pages, different parts of her were revealed. (“A is for Ass” read one page. “B is for Boobies” . . . and I trust you can guess where C went.) It was great fun, but I didn’t imagine I’d ever see anything similar in a podunk town like Tucson. How fun to be wrong! It felt a bit like Christmas.

Eventually the lights went down, the music started, and out came our host for the evening—a shortish fellow in a smoking jacket, white makeup which was, I guess, supposed to make him look like an undead creature, and carrying a lit cigar that he brandished in a low-speed imitation of Groucho. He introduced himself as Count Smokeula, and his delivery was so consciously Yiddish and borscht-belty that I was immediately sympathetic. This was kicking it old school! Unfortunately, as he continued his performance it was plain that as an emcee he was just fucking awful. He couldn’t tell a joke, and he spent the next few minutes crippling half a dozen of them as if to prove it. (The jokes were old and corny—“I saw a girl today and her shirt said Guess?, so I said, ‘Okay—implants?’”—but he delivered them without the lightness and irony you’d need to make them work today.) His theory of entertainment seemed to be “If it’s not working, maybe they didn’t get it, so tell the next one slower.”

But then the burlesque started, and it was worth the wait. This was the real deal. In the first performance, a jungle hausfrau tended to her gorilla husband (getting his drink, lighting his cigarette, all the Fifties cliches, each served with a wry wink) to the tune of “House of Bamboo” The dancers weren’t exactly models, and I guess certain parts of it would even seem amateurish—an uncertain dance step here; an awkward pause there; stuff that would never play on the best stages in the art’s heyday. But I realized that the charm of burlesque is the same thing that I like about Suicide Girls and roller derby: its rebellious, punk, do-it-yourself aesthetic. Like any true music geek, I’d come to realize that I actually mistrust anything that seems too professional.

The troupe featured four girls: Cecilia Bravo, The Indra, Desiree D’Amour, and Chica Boom. Cecilia, who founded the troupe, was best at doing comedy (she was Jane in the first piece) and her best bit had her dressed in a flamingo-suit, standing on one leg smoking and looking kind of bored while the music waited for something to happen. It was hilarious, and something about the sketch was pure Carol Burnett.

As a performer, Indra was my favorite, since she was seemingly influenced by Marlene Dietrich. She was the only one who actually spoke during her act, and unlike Count Smokeula, she was a born comedian. In one of her bits, she opened a song called “The Two of Us” with the line, “if not for you, your penis and I would have had a fucking fantastic time.” In a later show where she was a paratrooper, someone in the audience yelled out, “Show us your tits!” She replied, with a German accent that practically purred and rubbed your leg, “All good things in time, darlling.” (There were tits, by the way, but no nipples or bush; the burlesque was firmly in panties-and-pasties territory, which, for me, only increased its quaint charm.) But my favorite Indra moment was when she emerged through the audience, wearing a gorilla suit, and I suddenly realized that she wasn’t influenced by Marlene Dietrich; she was actually doing Marlene Dietrich—specifically, Dietrich’s gorilla suit number from Blonde Venus. I knew then that I was in the presence of actual art, and it was completely enchanting.

Desiree D’Amour was a rather large woman, but not in a bad way; she was just kind of a supersized hourglass, like the mother goddesses of old. She was also a local celebrity (“Tucson’s own” they said every time she came on, always to a chorus of cheers), and as part of her act, she actually walked out in and among the audience. I was sitting in the front on one end, near the aisle, and when she saw me, she brightened, ran over, and shook her enormous breasts in my face. I actually flinched; they must have weighed ten pounds. But it turns out they were really pillowy. Others looked on with jealousy, but I smiled and shrugged; some women just like bald guys. Desiree was the best at twirling tassels, and had a rather surprising sly sense of humor. In one orientalist number she stripped off a kimono and then used chopsticks to pull fortune cookies out of her bra. (I caught one; inside it advertised her website.) She also seemed to be particularly good at bending over backward, because she relied on it an awful lot.

Chica Boom was the best dancer with the tightest body. If she were taller, she really could have been a model. Everyone loved her—and not just because, with her short hair and butch manner, she pretty much screamed “hot lesbian” to our largely lesbian (and largely non-hot) Tucson audience. She was also just cute as hell; watching her made my heart ache the way it does when I see baby ducks. My favorite bit was her Carmen Miranda number —she had the whole costume: not just the fruit hat, but the dress and the forties halter, right down to the puffy sleeves. When she stripped everything off, her pasties were little pineapples.

There was a long section where Count Smokeula took center stage for a very long time, and he showed that he could play electric guitar. He seemed to favor blues songs with really long solos in them, and judging from the lyrics, he wrote them himself. I was glad to realize I wasn’t the only person who found him odious. He went from “The Wacky Song” (which included the lyrics “Wacky wacky wee, wacky wacky woo”—and if you think that’s bad, try to picture it being sung slowly) to “The Zombie Song”, and just when it looked like it was never going to end, he ended it. Everyone cheered. Then he picked up the accordion, started a third song, and everyone booed. “I know,” he said. “I hate me too.” This admission, however, didn’t stop his third song from sucking.

Fortunately, the last set of performances were some of the most amusing, and the show itself ended with an audience participation dance contest, followed by a conga line that ended the show on a giddy note of joy. I actually danced.

I wanted to talk to Cecilia but she was busy, so I decided to interview the girls who were available, and the first woman I encountered was the impressive Desiree Dámour. I introduced myself, explained my book, complimented the show, and then mentioned that I appreciated the fact that she had a real women’s body. At this, she smiled and demurred. “We talk a lot about how back in the day they had real women with real bodies,” she said, “but that’s not actually true. You look at the models of that time and they were bigger, but they were still starving themselves. But what I love about burlesque is that it’s all about the performance. The best and sexiest burlesque performer I’ve ever seen is a woman named Dirty Martini. She’s a big girl, but she is hands-down the hottest girl doing burlesque today.” Her own influences include Dixie Evans (“an ex-Marilyn impersonator”) and Lili St. Cyr—“she’s got great props.”

Chica Boom was busy with two young lesbian admirers, but she stopped long enough to tell me that she got involved in burlesque by performing at something called Music Under the Stars in Seattle. “They have it all summer, and there are a lot of trannies and sexual deviants in the O.P. downtown. That’s been my main crowd. I always try to make it clear that I’m a lesbian, and the only bad thing is so many of my sisters are these old-school feminist types who say, ‘You’re just reinforcing stereotypes and serving patriarchy.’” I want to tell them, “Bullshit. You should see who comes to my shows. It’s all lesbians, baby!”

Indra was the most fascinating character. She was a singer and actress who got involved in performance art at an early age, as well as industrial art and sculpture. “I’ve always been really political. I used to be part of a troupe where I would dress as a gas station attendant, crucify a guy and beat him. We did Lollapalooza, but that was our only big tour. In Germany during a Lemonheads performance we had a guy who would dress as a priest and blow fire off a Bible, and then I’d wrap myself in a flag like it was a cocoon and roll on the floor while he kicked the shit out of me. The club called the cops on us once, but before they arrived we hid ourselves in the crowd and acted just like everybody else. That was pretty exciting.” So you’ve toured Europe? How do they treat Americans these days? “Dude,”she said. “I just say I’m Canadian.” How was such an interesting woman raised? “We had a fucking pyramid with crystals and shit around. I’m such a fucking hippie kid.” She grew up in Kent, Ohio, and her dad was a cop and her mom was a student during the Kent State riots. Her mom had an Edgar Cayce study group and both parents encouraged their kids to think globally. “Lately I’ve started getting involved in butoh, which is a Japanese form of modern dance that’s kind of like mime from hell.” Why does she do burlesque, and why are so many people interested? She winked. “Chicks like feathers and shiny things.”

Finally, Cecilia’s post-show work of tidying and running the gift table ended, and I was able to talk to her. Or more accurately, I was able to rave and gush like a bobby soxer. “You guys are so fabulous!” I said. “The Carmen Miranda stuff, and that Marlene Dietrich gorilla suit . . . and your flamingo piece was hysterical. Pure Carol Burnett!”

And Cecilia smiled, grabbed both my arms and said, “My god, you’re a guy who actually gets what we’re doing!”

I almost melted from joy. I explained my book, the types of women I’d been running into, and the fact that this performance looked like it might serve as the climactic fulcrum of the narrative. “The only problem, I hate to say it, is your host. I used to do stand-up comedy, and that guy can’t tell a joke. His stage persona is too heavy and too broad, and he doesn’t mesh well with the tiki theme or the overall tone . . .”

Cecilia nodded and said, “Can you tell our manager that? We didn’t hire the guy, and he’s been a real dis . . . well, here, talk to the manager and . . .” Then she frowned. “Did you say you did stand-up comedy?”

“I used to,” I said. “Several years ago. I also wrote funny greeting cards. Why?”

“What are you doing now?”

“I’m a grad student at FSU.”

She looked at me thoughtfully. “We have another tour coming up in a few months, and we’d like a different host, and if you’re free . . . I mean, seriously; when do you graduate?”

“As soon as possible,” I said. “Maybe December.”

“When you do, call me,” said Cecilia. “I’m serious. And good luck with your book.”

Touring with a burlesque show! How could I refuse? It would be the slightly naughty version of joining the circus. But would my loan officer understand?

At this point I felt giddy, drunk on girl-power and kickass women. This, it turns out, had been the actual point of my quest, and here I’d finally met and interviewed all the women I most wanted to hang out with. And here was a whole set of them who seemed to love me and want to work with me! Could life get any better? I actually felt like I’d come home, and it was in the company of a bunch of randy gypsy outsiders just like me.

In the throes of this happiness, which I felt as a kind of heat radiating from my soul, I ran into Polly Graf again, and we hugged and she said, “Hey, are you still writing that book about feminism?”

That’s not how I would have described it, but I nodded.

“Well, why don’t you come to Phoenix tomorrow night? We’re doing the last game of the season, Tucson versus Phoenix. You’ll get to see us play!”

“I thought the season was over,” I said.

“It is,” she replied. “This is just an exhibition game. For fun, and for the fans. You should definitely come. You need to see us in action at least once.”

“Why not?” I said. So I got the directions to the game—it was at some suburban sports complex—and promised to go. After all, it would be more kickass women to interview, and I needed a chapter on Phoenix anyway.

Book Excerpt: Tucson's Fourth Avenue District

Here's another portion of a chapter from my book, Travels With Ritalin, that I'm pretty sure no one has seen. This first two posts describe what happened to me in Tucson. It's followed by the epilog chapter concerning what happened when I returned to Tallahassee. As you'll see, burlesque shows feature in both of the last two. Taken together, I think they're pretty amusing.

A Telling Decision

After my sudden financial shellacking in Santa Monica, I one-eightied and stayed with my dad in Tucson for two weeks, waiting for money to drop into my account. I wasn’t actually staying “with my dad,” since technically we were both staying at my aunt’s trailer, but she was out of town during my summer tenure, so dad had the run of the place and I was his guest. So it amounted to the same thing: this was the first time we’d lived as roommates since I’d moved out of the house at the age of 21. Fifteen years had passed, during which time I’d gotten engaged, broken the engagement, converted to Lutheranism, then Catholicism, then repudiated Christianity entirely, worked a real job writing greeting cards, quit to go back to college, and somewhere in there, despite all his attempts to train me not to, I’d managed to lose my virginity.

I’d also started discovering the startling ways in which I genetically take after my father. It started eleven years ago, when a dangerously fast car had passed me on the right, jerked in front of me, and nearly forced me off the road. I stomped the brakes, felt fury erupt within me, and, before I knew what was happening, I had clenched my right fist and heard myself yell out, “Hey there, fella!” Fortunately, the window was up, so the other driver didn’t laugh at me. But the comment was pure dad: you could imprison him, cut him open, and start winding his entrails around a windlass, and he’d look at you, sigh quietly and say, “I’m not mad at you, I’m just disappointed.”

That incident was merely the first leaf of autumn. Over the course of the next several years I discovered that I’d inherited my father’s early-onset crow’s feet, his sweet tooth, his laugh, his insomnia, his window-rattling snore, his inability to stay in one house for more than three years in a row, his overall fecklessness with money, and—most frighteningly —some sort of respiratory tic that leads me to clear my throat explosively whenever I’m in an opera house. (If you put us both in random seats in Radio City Music Hall, I’d recognize my dad clearing his throat no matter how far apart we were or how many other sounds intervened; it’s the same way that baby seals recognize their parents on the beach.)

Growing up in Tucson spoiled me. For one thing, precisely because the temperature’s only change year-round is to go from hot to hotter, I’ve never really gotten accustomed to the concept of seasons or even weather. What’s worse, there are huge mountains to the north, small ones east and west, and tiny hills to the south. So no matter where you are in Tucson, you can automatically orient yourself, and so I’ve never gotten used to using a compass, and I’ve never really been clear on where north is in any other town I’ve ever lived in.

But I left because, like most warm-weather college towns (Tallahassee included), it supports an economy where college students pay rent alongside retirees, and so there aren’t any really well-paying jobs. This keeps the cost of living low, but as my dad told me more than once, “You can live here for twenty years and never make enough money to move away.” When Hallmark called—and offered to pay for the move!—I left immediately.

Now I was back, and I was surprised to discover that while Tucson had definitely changed in the fifteen years since I’d lived there—it had practically doubled in size—the same stability still informed everything: the weather was hot, the skies were clear, and the businesses and restaurants were neither run down nor too high-end and tony. It was, in its way, as timeless as sun-drubbed adobe.

So on my first weekend in Tucson, I went immediately to the main cool area: Fourth Avenue, where the hippies and the scene kids hang out. In order to prepare for a venture out into the Fourth Avenue club district, I decided to go with my Vargas shirt—a sort of retro-kitschy bowling shirt with two columns of Vargas-y pinup girls down the front. I’d bought it at the Eye Scream Shop in Mobile, and I thought that it might have some kind of tattoo-parlor Suicide-Girl draw to it.

When I was growing up there, Fourth Avenue was scary precisely because that’s where the sinners went so smoke and drink beer and engage in occasional fornication. (Also, there were rumors of homosexuals and feminists!) I’d been back since then and had found the place much improved. So this night I walked up and down the strip and this time, in the context of my trip, I was surprised by a few new things. First, that the series of clubs along Fourth Avenue was actually cooler than anything I’d seen since New Orleans. (This has nothing to do with I-10, but I found another great bar scene later in Austin.) Which suggests that you can’t have a good bar scene unless you also have a city that’s committed to its music. This theory is confused a little by Kansas City, which has a terrific jazz and blues scene and yet in four years there I never went to a club worth the mention. So maybe you have to have a decent modern music scene. All I know is, it works for I-10, so just nod and go with me.

My first stop was a bar called Plush, which does its kitsch nicely: no Elvis paintings or tiki masks. It’s just loud red shiny satin everywhere, with lots of gold trim. It’s gaudy as hell, you can’t escape it, and if you hate it that much, just go into the back room where the bands play. Me, I’ve always stayed in the front.

The bartender’s name was Misty, and she was definitely a Suicide Girl type: just shy of thirty, black hair, black shirt, nose piercing, tattoos on her arms (nothing wild, though; they were the names of her two kids). So I asked her, “Are you by any chance a Suicide Girl?”

“What’s that?” she said.

I explained, and she said, “Oh, no. I had my goth moments, but I would never do anything like that.” She paused and then said, “You want to hear about the gothiest thing I’ve ever done? A couple years ago I went to a secret underground vampire club in New Orleans.”

“A vampire club? Like the kind where they all dress up and roleplay different characters, or a real vampire thing where they drink blood?”

She nodded. “Blood. At least, that’s what they said. There was supposed to be blood back in the refrigerator, but all we ever saw was absinthe.” (Absinthe, for those not au courant with goth culture, is a kind of alcoholic beverage spiked with just a little bit of poison, allegedly to inspire hallucinations. It’s illegal in the U.S., but I imagine the Libertarians are working on that.)

With a writer's instinct, I pulled out my notebook and prepared to record the interview when---my hand to God---a guy suddenly rushed back to where we were, and announced to everybody, "Guys, check it! There's a guy with a mohawk getting his ass kicked by a midget across the street at the Dairy Queen!"

I immediately realized I had a choice to make: continue my interview with the vampire, or find out what was going on with the midget? (Correction: dwarf. Little person is a terribly imprecise term.) I had to choose quickly, and no sooner was this choice presented to me than I realized that nothing in my life up to now had prepared me to make this snap decision. Thank god there weren’t lives depending on this. The choice you make in a time like this says a lot about who you define yourself to be. In that second, I had to look into my soul and ask, “Okay, Dave, who are you? A vampire guy or a dwarf guy?”

“Oh!” yelled the guy, looking out the window. “They’re going at it right now! She just punched him in the nuts!”

“Excuse me for a second,” I told Misty, and I wnet to the window. And sure enough, some lanky young man with a large blue spiked mohawk was weakly fending off the attacks of a female dwarf. She was dressed casually, with long curly brown harir, and was clearly not associated with the mohawk guy’s punk ass. She kicked him and hit him and he collapsed over a bench and started crawling away, although it looked like he was half wincing, half laughing. She, apparently satisfied (though obviously very angry), let him go and started walking with a friend in the opposite direction. She was getting away! They both were! Should I run across the street and go interview her? What the hell was that fight all about? I burned to know.

Then I saw the dwarf’s friend pull out an umbrella. It had started to rain.

Am I a vampire guy or a dwarf guy? It turns out the answer is, I’m a rather lazy guy who doesn’t like to get wet. Such a shame, too! The whole dwarf-at-the-Dairy-Queen story faded away like a fascinating subplot in a Choose-Your-Own-Adventure novel. I sighed for the road not taken. But at least I had my vampire.

“So,” I said, returning to my seat in front of Misty. “This was a vampire club where they served blood?”

Misty nodded. “At least, that’s what they said. There was supposed to be blood in the back room in the refrigerator, but all we ever saw was absinthe. (Absinthe, for those not au courant with goth culture, is a kind of alcoholic beverage fermented from wormwood that’s very sweet and apparently somewhat poisonous. It’s illegal in the U.S., although I imagine the Libertarians are working on that.) [Sidenote: in researching facts about absinthe, I met a nice young goth man at a bar back in Tallahassee and he explained the wormwood connection and he told me, “I actually had some absinthe. I was at a science fiction convention and a guy said, “You want to try some absinthe?” so I said, “Okay, why not?” And there was a party at his room where they were serving absinthe, and I had it in this little Dixie cup and I walked up to the guy and I showed him that I was trying it, and he shook his head and said, ‘You can’t drink absinthe out of a paper cup. You have to drink it out of half of a human skull.’ It turns out he worked in the anthropology department of a university and he had this skullcap lined with copper that he offered me a drink out of. It tasted like licorice. It’s very sweet.”]

“How did you find out about this club?”

“My husband is in a band. Soon to be ex-husband, by the way. We’ve been together since we were fifteen, and he’s crazy.”

“What was the club like?”

“It wasn’t even a club, really. It was just some couple’s house, and we sat at their table
and listened to spooky music. They were a pretty rich couple, so it was a nice house. There were candles everywhere. And tapestries. What’s sad is there were only five people there, including the husband and wife who owned the place. Not even my husband came. I just sat around for about an hour, waiting for the scene to pick up, but it never did. So I just went home.”

“How was the absinthe?”

She shrugged. “It burned a little, but it didn’t do anything to me that I could tell. It tasted like shit, though, so I didn’t drink a lot. I thougth about asking for some blood, just because it would be great to tell people about later, but you know, you don’t know whose blood that is, where they got it, or what’s in it. I just didn’t want to be that unsafe. I mean, I’ve got kids.”
“So you never actually saw any vampirism at this vampire club.”

She shook her head. “No. The people didn’t even look all that weird. Just regular club rats.”

I can picture myself in the same position. I’d be a little curious about drinking blood, too, but I imagine I’d ask, “Could you put this through a water filter for me? Brita will do; anything with charcoal; thanks.”

I nodded and put away my pen, but inside I felt deeply betrayed. I felt like asking her, “For this nothing story? For this I missed a violent midget?” But of course, it’s entirely possible that the dwarf interview would have been ust as dull. Everything is better in my head before the workaday facts show up and ruin everything.

How I Became Trite

By this time my ancillary goal of meeting kickass alternative women was pretty firmly established, so imagine my emotions when I left Plush, walked farther down Fourth Avenue and discovered a new bar that hadn’t been there two years ago. The sign outside read “The Surly Wench Pub.” How could I resist?

I was not disappointed. As if it were the establishing shot of a movie, I walked in and heard Wanda Jackson singing “Riot in Cell Block #9" while the bartender—a pierced-and-tattooed vixen with astounding cleavage—served me whiskey that was stored under a pair of vintage Dolly Parton LPs. As I took my drink, I noticed that over the door there was a flat screen TV that was currently showing the scene from Kill Bill where Uma Thurman single-handedly beats up about a hundred angry ninjas. Then, as I looked around, I noticed that the women here not only seemed artsy and alternative, but an awful lot of them were wearing athletic jerseys and Spandex shorts.

“Is there something going on tonight?” I asked the bartender.

“It’s the Roller Derby After Party. We just had the last game of the season.”

“Back up. Tucson has roller derby?”

“Oh, it’s all over. It started in Austin, but we have four leagues right here. And it’s real this time. Because you know, back in the seventies, it was fake, like pro wrestling.”

I nodded sagely. I hadn’t known this at all, but I wanted everyone in this bar to think I was cool.

I spent most of what was left of the evening talking to a roller derbyist pseudonymed Polly Graf—they all have nicknames—and her friend, Carrie Guns. I’d missed a really great game. Apparently, Vice defeated The Iron Curtain. Which, if you think about it, is what happened in real life too. I asked Polly if she was a Suicide Girl and she said, “I’m not a Suicide Girl, but I’m on another site like it called burningangel.com. My name there is Kitten.” We talked a little about Bust magazine, about Tucson’s music scene, and of course about roller derby. (Interesting fact: “Our league has more lesbians than any other city in the U.S.,” she said. “We’re like fifty percent. Phoenix is only around fifteen.”)

Soon it was closing time, and I walked out with Polly and two of her friends, and at the sidewalk we had to part ways. (“What are you guys going to do?” I asked, hoping for an after-afterparty, and she said, “We’re going to go home, smoke weed and hopefully fuck. A boy’s supposed to call me.”) As I hugged her party goodbye, I told one of her friends–a very short flirty woman with a deadly wicked smile and a nearby boyfriend—“This is turning into a theme in my travels. I just love kickass women.”

“Well, that’s obvious,” she said. “Just look at you.”

That stopped me. “What do you mean?”

“You look the type,” she said.

“Well, I wore this shirt deliberately,” I said.

“Oh, it’s not just the shirt. It’s like—well, you’re bald, you’ve got a goatee, you’re wearing boots, and . . . all that. It’s perfect.”

I don’t know what she could have meant by “all that”, unless it was code for, “and you could stand to lose fifteen pounds.” I suppose she meant this as a compliment, but when she said “it’s perfect,” what I heard was, “You’re a textbook art school geek. You’ve hit the cliche smack in the sweet spot.”

I had a long drive back to my father’s trailer, and since my stereo no longer worked, I had lots of time to think. Without meaning to, I had become a cliche. Normally, I suppose I wouldn’t find this so alarming, but it had recently occurred to me that I had been on sort of cliche or another all my life. Example: when I went back to my father’s house, I chanced to look in an old high school yearbook and I was appalled at my picture. “Jesus Christ,” I thought. “You can tell just from the photo that I’m an uptight, Dungeons-and-Dragons-playing virgin.” The out-of-date hairstyle, the painfully cheap clothes, the smirk that suggests that I think I’m smarter than the cameraman. Why didn’t anyone tell me? Oh, right—because I thought I was so damn smart.

I’ve actually gotten a relatively late start at purging myself of nerdiness, and one of the things about nerdiness that I noticed a few years ago is that there’s a weird uniformity to geekdom that transcends genre of all types. If you meet someone who mentions being a big fan of The Lord of the Rings, you can usually ask them, “So what’s your favorite Star Trek episode?” or “Can I borrow your Monty Python tapes?” and if they’re male, they’ve almost certainly played role-playing games. They probably following some cult show even as we speak (whether they’re taping Alias or catching up on old Buffy the Vampire Slayers). And they all own at least one album by They Might Be Giants.

Now, there’s no logical connection between TMBG’s song “Birdhouse in Your Soul” and an interest in the new Battlestar Galactica. But it’s there. It transcends logic. In fact, speaking of the word “transcend,” that’s the only thing they all have in common: they’re all vaguely religious, transcending pastimes that reward you for being smart and obsessive and inclined to daydream of some place where smart obsessive kids are the heroes. Like the Harry Potter series, which every geek has also read at least one of. Like a religion, geek-friendly cult shows tend to establish systems, or entire worlds, full of rules that are fun to speculate with. Smart TV shows of this type know that they’re better off not explaining everything, to that the computer geeks among the fans have stuff to natter about on their personal websites. And so on.

What’s horrifying is that even when you know this, it can be practically impossible to escape. For example, maybe eight years ago, when the first Japanese anime films started appearing in art theaters in the US, I was thrilled at the first review I saw. “How interesting!” I thought. “A form of animation that is completely unlike Disney, for once! And with adult themes and storylines! This really expands the possibilities of the genre!” And so, when I saw there was an anime club forming in Kansas City, I went to my first meeting . . . and saw a room full of the same role-playing geeks I’d been trying to avoid since college. Here I was, choosing on my own to be interested in anime, and damned if the geeks hadn’t gotten there ahead of me and formed ranks. They keep pulling me back in. But not that night; I ran away, and I’ve never joined any anime clubs at all.

But this problem surfaced again when I came back to college. I decided after a year that it was about time I made some friends outside the English Department. So I went to the Student Resource Center and looked up all the clubs on campus. Each club took up one page in campus records, and all the pages together filled a very thick binder. There were a hundred clubs, easy. But as I flipped through them, I felt myold prejudices kicking in. With a million sports on offer, I said, “No!” to them all—and then I stopped at fencing. “Huh!” I said. “Fencing! That might be fun . . .” And as soon as I thought it, I realized that the fencing team was going to be filled with the same role-playing losers with no social skills I’d been avoiding ever since I started buying decent clothes. Like an ex-smoker, I have very low geek tolerance. There’s a reason I don’t go to Renaissance Fairs, and it’s this: I viewed this return to college as a chance to do it right this time, with “doing it right” defined as “actually getting laid.” For that, I was willing to burn a thousand Harry Potters.

But I went through the list, wrote down the ones that appealed to me on my first pass, and was disheartened to see that, despite the vast array of clubs offered, how few of them came even close to my demographic. Future Engineers? Sorry. Phi Beta Kappa? I don’t have the grades. Progressive Black Men. Not so much. Skydiving Club? No thanks! I spend good money on my pants; I’d like to keep them unsoiled. When I made it to the end and looked back, I discovered that my list looked like this:

The College Democrats
The Women’s Center
The FSU Film Society
Ballroom Dance Club

That’s it. Of course, that’s not counting the ones that I instinctively went for and then flinched from on the theory of “I’d rather get laid this time”: not just fencing, but The Role-Playing Games Club, the Society For Creative Anachronism, and Ultimate Frisbee. So I had this very small list left. And once you realize that all the clubs are peopled by undergraduate college students, most of whom can’t even legally drink, the social aspects of the clubs seema lot less appealing. Why go to a College Democrats meeting if you wind up overhearing six conversations about how smelly the dorms are, or how mom is supposed to send you more money so soon you can afford to get a tattoo in Cancun?

So then I started thinking, “What a shame they don’t have more clubs that meet my own interests! Like, why not a Crossword Puzzle club? Or a Scrabble club? Or a club for people who are picky about drinking single malt scotches?” But I didn’t bother dignifying this with an actual list. There’s an excellent reason those clubs don’t exist. No one with social skills would be interested, and no one fuckable would show up. Put those “clubs” on your resume and you could literally frighten women away.

And now this: I had been labeled a stereotypical Suicide Girl lover. As I watched Polly Graf and her friends walk away, “hopefully to fuck,” I felt like one of those sad cartoonists who draws huge-breasted women in spike heels. Thank god I’m a lousy artist. That could have been me.

When I got back to my dad’s trailer, I realized I had to see if what Polly had said was true. Was there maybe a way to find out what Suicide Girls fans looked like—a page for the members? To find out, of course, I had to wait until Dad was gone the next morning, and I crossed my fingers and hoped he didn’t have some kind of naughtiness-blocking software.

In a way, he did. I was only a few keystrokes in before I realized that my Dad, who has a degree in Medieval Spanish Literature and had just returned from a missionary trip in Spain, was using a Spanish-language keyboard. Nothing was where it should be. It had upside-down punctuation! Quotation marks were—get this—above the 2, the apostrophe was under the question mark, and when I typed on automatic, relying on muscle memory of a regular keyboard, all of my words acquired umlauts of mysterious provenance.

At one point, when I went on a side-trip and was trying to look at a few trailers for upcoming movies, I clicked on a link and a screen popped up:

Safari no encuentra el modulo de Internet. La pagina incluye contenido
MIME tip “audio/x-pn-realaudio-plugin.” No tiene instalado ningun modulo
para este tipo de contenido MIME asi que no puede mostrarse.

. . . and below it a button said OK. Silly dad! He was using Spanish settings all around, the little dickens! I panicked for a second, and then I realized that there was no choice anyway, and it was just the computer making conversation, like, “Hey, I just wanted you to know that I had a dream last night and you were in it. It was really weird, though.” Fine. Whatever. I clicked OK.

But then I did something else—I wish to god I knew what—and another balloon popped up:

[upside-down question mark] Seguro que desea enviar de nuevo un formulario?

And this time I had two buttons to choose from: Cancelar and Enviar. I scanned the room for a Spanish-English dictionary, but couldn't see one. So. The obvious choice would seem to be “Cancelar”, but what if the question was a good thing? What if it was asking me something like “Do you want a future of happiness and professional contentment? Should I get my electric flunkies to work on that?” I took a few slow breaths, and hit “Cancelar,” hoping it wasn’t Spanish for “self-destruct.” Nothing happened, and I backed away slowly and took a few calming breaths before my next venture.

Eventually, however, I navigated the Spanish keyboard and found my way to the Suicide Girls website and discovered that there was indeed a place for members to post their own pictures, and damn if Polly’s friend wasn’t right! It was appalling: row after row of pictures of bald men with goatees, all in their thirties, and seemingly all of them sitting in chairs. And you know what? They could have all stood to lose a little weight. I felt a shiver go through me and I stood up from my chair. “No!” I said. “Not again! NOOOOOO!” If there had been birds nearby, they would have flapped away in alarm.

Let me just say in my defense that I’m bald because I actually look better that way. When I had hair—and I had long hair, dammit!—I would comb it straight back, and eventually I discovered from photos that my hair had a tendency to curl, which meant two things: 1.) When I wasn’t looking, the hair would swing to one side and look like a terribly lame combover, and 2.) When you looked at it from the side, there was so little hair on my head that you could actually see light through it. My combed-back hair was just a bridge over nothing. I decided to spare everyone the pain of seeing that, and I’ve never looked back.

As for the goatee, I’ve got my reasons for that too. First, I have no chin to speak of (thanks, parents!), and a very wide neck, so when I don’t have a goatee, when you look at me straight on I unappetizingly resemble a turtle. I used to have a mustache, but I discovered, upon looking at my driver’s license, that the mustache actually didn’t attach on one side. It looked like I was wearing a furry schwa. So I cut that off too. The only hair that’s left on my skull is the only hair that’s actually doing its job properly. I have literally no other choice in how I look. So if I join the Suicide Girls fanclub and happen to look like everyone else in the room, I can swear upon a stack of affidavits that it’s everyone else’s fault. I am blameless.

But just as I was getting my dander up, I noticed that the member profiles all listed occupation, and while several of them were something like me (thirtysomething college students), there were a couple of other intriguing recurrent themes: Roadie. Deejay. Guitarist. At least five of them worked in music stores. I read deeper, and almost none of them mentioned role-playing games. And I suddenly realized that after years of trying, my attempts have paid off. I’m not a gamer geek. I’m a music geek! I’m the record store clerk; the kind of guy who tracks down the single of the Dixie Chicks’ “Goodbye Earl” in order to get their ironic B-side cover of “Stand By Your Man”; the person who actually has an opinion about bands like Yo La Tengo and The Mountain Goats, and who sneers at anyone who can listen to Elvis Presley sing “Hound Dog” without thinking of Big Mama Thornton. If I was still 18 and had a weblog or did internet messaging, I’d have a special tab constantly informing people of what music I was listening to at every moment. With a little nudge in this direction, you might see me standing outside a nightclub, smoking clove cigarettes between sets, and saying bitterly, “These guys are better live, but don’t get their latest album. Their early stuff is good, but lately they’re starting to sell out.”

And the thing is, I’ve been like this for years. My music collection includes blues, soul, swing, rockabilly, alternative pop, alternative country, underground hip-hop, experimental electronica—if no one actually listens to it, I own it. I should have figured this out the third time a friend of mine agreed to drive with me only if I didn’t play my music. The evidence has been with me for years, and yet it had never occurred to me to embrace it.

A further irony struck me then. Barely an hour earlier I had been horrified at being a cliche, and yet, what had I been doing for the past two months but hunting down cliches? Looking for women with a certain Suicide-Girl look, a certain retro-punk style, and assuming, based on mere appearances, that we’d be kindred spirits. And what’s more, these assumptions had been right! So sometimes cliches are helpful. You just have to choose the one that fits you.

So now I have a new theory. Yes, I’m a cliche. But there are worse cliches to be. Hang out at any sports bar during a major sporting event and look at the guys: all wearing the same t-shirts, the same ball caps, all having the same predictable reactions to every call (yay for the good ones, groans for the bad), the same more or less obvious opinions about everything. (E.g., “they should fire that coach.”) Minds beaten into cretinism by one gallingly insulting beer commercial after another. . . it makes my skin crawl. Or go to any high-class nightclub on a weekend, and you can see any number of blond, fake-titted current and ex- sorority girls whose mission in life seems to be to look perfect and never have a surprising opinion. I love women dearly, but such people aren’t women; they’re fembots. My people—by which I mean, we music geeks—live a slightly better life. We drink liquor thoughtfully. We hand out with interesting unconventional women who are bold and opinionated and unpredictable. It’s true we’re a little obsessive, a little messy, and god knows none of us will ever be rich. But I can’t think of a happier kind of geek to be. So I hope you’ll excuse me, but I have to go. I have this sudden powerful urge to move an amplifier.

Tuesday, May 02, 2006

Editor Seeks Synonyms for "Hooray!"

I just got off the phone with the head editor from Dell Crosswords, and I got the job. Yay! My life has suddenly calmed down and I can stop scrambling from month to month with the risk of constant eviction hovering over me.

The bad news is the job doesn't start until the 15th, so a big thanks again to everyone who's sent me a little getting-through money.

I guess this means my plan until the 15th is a.) finish editing the crossword book (it's due by the 5th anyway), and then b.) use the remaining ten or so days to finish my novel-in-progress so I have TWO books to try and market. It might even be fun to try to sell poetry on the subway for a little cash, the bizarre experience, and the article that might eventually result.

Now if you'll excuse me, I think my body is going to collapse into a brief coma to counteract the last two months of raw unending tension.

Monday, May 01, 2006

Is Planet of the Apes Really Accurate?

I went to bed last night to the familiar lilt of the original Planet of the Apes, playing on very low volume. And as I went to bed, a scene played out that showed the caste system of the movie’s ape society: Charlton “Bright Eyes” Heston has escaped from prison and the orangutans command the gorillas to get him back, while Heston’s barrelling through a bunch of frightened chimpanzees. In apeland, in other words, orangutans are the religious and political leaders, gorillas are the soldier class, and chimpanzees are the everyday folks. And as I drifted off, I suddenly thought, “Wait a minute! Where are the gibbons?”

See, I’ve been interested in apes ever since fourth grade when I learned that apes are different from monkeys (no tails, for one thing), and I became so obsessed that I wrote what I believe is the only elementary-school report I ever wrote that I didn’t crib word-for-word from the World Book Encyclopedia. (Instead I cribbed it, in pastiche fashion, from a book called Apes, by the editors of National Geographic.) And that’s the difference a motivated pursuit of knowledge makes: the facts in this report actually stayed with me. Of course, I only rarely get to use these facts, so they sometimes rush out in my excitement. The last time this happened was about eight years ago at Hallmark. Five of us humor writers were walking to the commissary, and one of my co-workers said, speculatively,“I’ve been thinking. Why do we only use chimpanzees on our monkey cards? I mean, aren’t there a lot of other kinds of monkeys we could use?”

“Actually,” I said, “chimpanzees aren’t monkeys at all. They’re classified as apes, along with gibbons, gorillas, and orangutangs.”

There was a pause, and then my friend Steve King said, “Uh, speaking of animals, Dave, would you like to see the rat’s ass that I give?” This was only one of many indications that I didn’t really belong at Hallmark, and that eventually I was going to have to either return to academia or develop social skills.

But my brain won’t be silenced, and I’ve been musing all morning about the absence of gibbons from Planet of the Apes. Why the oversight? And if we were going to add them, where would they fit?

A quick look at the caste system of India isn’t much help. They divide into the brahmins (priests and teachers), the ksatriyas (warriors and rulers), the vaisyas (farmers, merchants, artisans), and the sudras (laborers). Since the orangs take over two of the castes—priest and rulers—and the chimps take over two of the others—artisans and laborers—it’s pretty clear that the Hindu model isn’t the one that ape culture is based on. I was tempted to suggest that maybe the gibbons were an outcaste of untouchables—but then I realized that humans are the untouchables in ape society, and that was the whole goddamn point. So that won’t wash.

The other problem is that if the characters didn’t actually say differently, I would have sworn that the alleged “orangutans” were actually gibbons. Of course, I can’t imagine they could have done “real” convincing orangutans with ‘68 makeup technology. As anyone who knew how to post pictures could demonstrate, orangs have huge flat pudgy faces, beanbag-shaped bodies, and orangutans, even more than most brachiating animals, have incredibly long arms—much longer in span than their bodies are tall. (Orangutan, by the way, is Malaysian for “old man of the woods.” Oh, and “brachiating” means “traveling by swinging from branch to branch.” I can’t stop!) And, of course, they’re noted for their red fur.

Now look at the alleged orangutans in Planet. They’re relatively slim! They move swiftly! They’ve got blond hair, for Pete’s sake! That’s a gibbon, you damned dirty screenwriters! So I think what must have happened is that, over the many years since the Statue of Liberty was destroyed (gee, did I give anything away?), gibbons must have slowly encroached on the orang’s territory, until gradually they began to fill the same biological niche, and even got called by the same name, sort of the way “tit” gets applied to any small bird who happens to occupy a titlike position in the local biome. Then, once there was sufficient confusion, the gibbons simply rose up and killed all the orangs overnight. No one ever noticed. It would sure explain a lot, including the fact that gibbons are evil and don’t want anyone to know their true identity. You learn a lot from the movies.

The other theory—and the one I currently hold, because I just thought of it—is that gibbons occupy the information technology class: the computer programmers, the e-traders, the game designers, etc.—and since ape society is only at medieval level, the gibbons all put themselves in hidden suspended animation chambers, waiting for ape culture to reach the level where they can unthaw and rule the world. Which merely reinforces the truth: Gibbons are evil.

By the way, I had a student once (hi, Mary Beth!) who was studying primatology, and after talking with her a few times I also got interested in prosimians—those weird monkeylike creatures that are basically nocturnal, wide-eyed, and insectivorous, and who actually predate monkeys. (Not “predate” as in “feed on” but as in “are older than”) They divide into four groups, too, including the loris, the lemur, the tarsier, and the galago (a.k.a. “bush baby”). I hope someone makes a movie called Planet of the Prosimians, because it would be just the cutest thing ever.

This post is dedicated to the following famous people:

Walter Gibbon, author of The Rise and Fall of the Roman Empire;

Leeza Gibbons, co-host of "Entertainment Tonight" whose name is often seen in the better crossword puzzles, as well as the one in Us Weekly;

Nick Gibbons, director of the 1997 movie Radioactive Crotch Man (Thank you, Internet Movie Database!);

and most especially Cedric Gibbons, art director for the classic The Wizard of Oz. Because after all, he must have helped design the flying monkeys! (Which were clearly not monkeys, but apes. Again with the no tails.) I don’t believe that monkeys can fly. But it’s heartening to know that, even in Hollywood, apes can dream.

(P.S. Thanks to Cary Pearsall, whose encyclopedic knowledge of Planet of the Apes prevented me from making an ass of myself in an earlier draft.)